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there is massive artifacting throughout the video

Second

First

beautiful effect man, thanks for this!!!

02:00 how do you get the scope so big?

Just purchased the plugin for a music video, needed this done on the fly so thank you for this tool!

Does the Lut work with the fx30?

i cant playback my video even when putting playback on Quarter. How do you solve this?

Great work man! What about creating a LUT based on the ‚EL Zone System‘? That would be awesome

Sony jusy dropped Shutter Angle this morning for Fx3 and the Fx30!!!

RUclips JAKE. WE LOVE HIM.

Thank you sir

i would also recommend EeyCandy

Gold. Thank you Jake!

Thank you so much for this. This is going to help me so much!!

jake speaks i listen. These tools are dope. Thanks for sharing dude

Sick! The Eagle + Freeform workflow looks sweet! Thank you!

what is the song?

amazing bro, what lenses used it?

The ZV-E1 does have it, just like 4k 120fps... Whilst that camera is for 'content creators'. That's why I chose the ZV-E1 and not the FX30...

I just uploaded my Dehancer review, really wish I'd watched this before shooting it haha! Agree with everything you say, sometimes you get used to the dehancer image and then when you turn it off and realise just how strong the effect is and that perhaps you need to dial it back haha

Do you think this LUT would work with the A7IV/A7CII as well?

Great Great video man.

Good stuff, love the rigged bike shots

is this with sam kolder LUT

amazing video man, id love to know where you got your film burn/light leak transitions if you know

Man that was sick !!!! 🔥🔥🔥

Was shocked to find out the cine d lab results shlw the a7siii has more dynamic range in xavc than the burano in xocn. This has to do with NR though. If you compare the raw output on both the burano has an extra stop. Xavc internal dr is similar for both, but the burano uses less nr to achieve it. This gives you better shadow recovery and fine details that would be lost from nr artifacts.

250D and 200 T are meant to be wildly different. You gotta know what those filmstocks do. D and T are different. Dehancer is not Filmbox where you slab it on and expect it to work. I give you that.

Dude. The difference between 250D and 200T is the white balance. D is for daylight balance at 5000 and T is tungsten. Read the Kodak manual on the film stock on the Kodak website. Otherwise great video.

Jake please can you make video about your process of color grading, I really like how calm all the colors and levels in your video specially the front window angle

Thanks! Anything more coming ?

This is 6 months old now so maybe you've figured this out or tried it, one thing to try if you aren't familiar with that DaVinci Wide Gamut is you most likely need to convert your camera INTO DWG with Color Space Transform. It didn't look like you had a node that comes before dehancer. Make a node before Dehancer and put CST on it. Then choose your input camera color and gamma and OUTPUT Color and Gamma in DWG. Then in the Dehancer node choose DWG and see what happens.

W

So good!! The wide angle interview shot at 0:50 is beautiful! What lenses did you shoot this on?

Love those wide angle guitar shots! Fire DP

Great video and channel. YT needs to give this video some more love.

Hey thanks for the video. I’m new to color grading-just beginning to learn. What other tools are worth looking at?

Subscribed! Good video

the fx9 doesn't even have false colour. Sony are an actual joke

Goooood

Fx3 looks too digital and so much sharpening, burano looks more organic to my eyes

On a big screen the XVAC compression is obvious. Also, X-OCN is way more flexible in post.

I feel my videos from the FX3 on slog3 are a bit soft when I look at them converted to Rec709 on my computer .

hi buddy.. digging your channel.. your dehancer overview gave me some pro results from your inside track on that plugin.. may I ask you if your knowledgeable on Premiere Pro in terms of achieving the hollywood skin tones your getting with Davinchi.. How to target the luminance of the skintones and to bring them down to Tom Cruise 40-60 ire Im not a novice at colour grading however some guidance would be a massive help.. hopefully you pick this comment up.. Danny

At this point, get an FX6 and wait. In about 1 year they will release a new modell that has almost all the same bells and whistles for one third of the price. All the Burrito owners will be pissed, but Sony won’t care. They never do. / FX9-owner.

What i really want to know is how much do I have to shift the white balance IN CAMERA on the FX3 to get it as close to the Burano

I actually think you dont use the burano because it has a better image. It has a better image, yes, but that is almost insignificant (unless for special uses where you need higher resolution of color depth). You use the burano because it has all the ergonomics, and extra things (internal nds, etc). What i don't really see is why you would use the burano over the FX6 ? (unless you absolutely need the 2% better quality that nobody will notice). maybe for ibis AND internal nd ? that is rad by the way, the first camera in history to have both.

They look identical, your focus was off from the very beginning.

Thanks for this video, would love if your share the footage to download !