- Видео 165
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Mark Vinciguerra
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Добавлен 11 апр 2006
This channel is dedicated to the Guitars and basses that Luthier Mark Vinciguerra builds and repairs. We will talk about building and repair techniques as well as demo fresh built or rebuilt instruments. We will also talk about shop tooling and jigs as well as CNC and related tools and fixtures..... Including vacuum hold-down fixtures! We will even get into shop made pneumatic clamping and air bladder presses..... Plus anything else that may cross Mark's mind!!
VCS BAJ Elite Slide Show
Mark Vinciguerra Luthier @ VCS Guitars, with a sound/pictorial from the BAJ Elite 6 with Rockwood neck. The body is Alder core Maple top and back, with a maple center block with Wenge cap! Bartolini loaded, with VCS custom knobs.
www.vcustomshop.com #vcustomshop.com #vcsbasses #vcsguitars #customguitar #custombass #luthier
www.vcustomshop.com #vcustomshop.com #vcsbasses #vcsguitars #customguitar #custombass #luthier
Просмотров: 1 242
Видео
Glow Dots..... Glowing.
Просмотров 183 месяца назад
Mark Vinciguerra Luthier @ VCS Guitars, Glow Dots..... Glowing. www.vcustomshop.com #vcustomshop.com #vcsbasses #vcsguitars #customguitar #custombass #luthier
1977 Music Man refinish completed!
Просмотров 3187 месяцев назад
This is a pre Ernie Ball, Music Man Sting Ray. It had been re-finished once before in a metallic silver that didn’t look age appropriate, so the owner wanted an aged Olympic White. I used a light sheen satin because we didn’t want it too shiny, but it still looked too “new”, so I did some light relicing on it with some wear points….. I will leave the rest of the relicing to the owner and father...
Tap Tone Test..... Alder, Basswood & Poplar
Просмотров 20 тыс.Год назад
Tap Tone Test..... Alder, Basswood & Poplar
String Stretching & Tuning Issues Solved!
Просмотров 363Год назад
String Stretching & Tuning Issues Solved!
Kahler Tremolo Tension Adjustment..... FAST!!
Просмотров 7 тыс.Год назад
Kahler Tremolo Tension Adjustment..... FAST!!
Laser Engraving Serial Number On Neck & Body
Просмотров 1262 года назад
Laser Engraving Serial Number On Neck & Body
X32 Solution, Use 1 audio source for 3 channels!
Просмотров 522 года назад
X32 Solution, Use 1 audio source for 3 channels!
Wiring Issue with Jazzmaster Solved
Просмотров 2,1 тыс.3 года назад
Wiring Issue with Jazzmaster Solved
Installing Glow Dots on a Set Neck Guitar
Просмотров 3,3 тыс.3 года назад
Installing Glow Dots on a Set Neck Guitar
Faker Ibanez Jem 7V On The Repair Bench
Просмотров 10 тыс.4 года назад
Faker Ibanez Jem 7V On The Repair Bench
Oof that was FUNKY
Congratulations on the test. He resolved several doubts.
That poplar is going to give a nice "wah" like sound from the physical feedback that occurs back into the string as soundwaves bounce off the material and ultimately make it through the instrument into the electrical signal. *Before you go there, I am literally a scientist lol.* I'm a college educated electronics/electrical engineer which is literally classic physics, quantum mechanics and subatomic particle theory. *MATERIALS MATTER, pickup electrical specifications dominate the signal though.* There's a reason a maple fingerboard sounds *nothing* like rosewood, and *ebony sounds distinctly different from rosewood and maple.* It's relative to why stratocasters sound the way they do due to the plastic pickguard, the soundwaves reflecting off of them and feeding back into the string which makes it's way into the electrical signal that comes out of your guitar. *I am never so frustrated from the debates about guitar technology than I am when armchair airheads start lecturing me about the science I've literally dedicated my life to just as much as I have the guitar, probably more.* I'm also not a slouch, I'm a symphonic shred and sweep player and would put my playing and composition on any name you mention on earth.
@@JonDeth Thanks so much for weighing in on this video….
Electric acoustics suck anyway. Just buy an electric guitar...
Many jem jr have a similar bright design though pickups sound different
Think I got one from a seller it don't sound bad and the code for the wizard 🧙♂️ neck checks out though the bridge is the same as in the video found out that there was a series of jem that they made for a price range of $1399 hard to find pictures of I think it's the jem 505 or 535 model cheapest jem before jem jr
Wouldn't they use a gotoh ibanez bridge
The bridge is a dead Giveaway. I can tell it's not an Ibanez edge. It's easily one of those phony, Chinese made licensed Floyd's that aren't actually licensed by Floyd Rose and Floyd doesn't license out their name so much anymore because they offer several different versions of actual Floyd Rose units at every relevant price point even the specials are labeled as Floyd Rose. I believe they still license to fender for some Jackson guitars and most of the EVH models but these are still Floyd Rose bridges with Jackson or EVH branding on them. They're still Floyd specials or FRT 1000 bridges. The Ibanez edge, low pro edge, edge zero, edge zero 2 edge 3, and most of their 2 point vibrato bridges are made for Ibanez by Gotoh in Japan. The edges of the pickgaurd being rough and sharp, the crappy tuners and fake DiMarzio pickups also give away the falsehood even further. Unfortunately, this customer got scammed for $1,000.
@@jasonalmgren3050 thanks so much for the insight! It is just a shame that this stuff is out there and people fall for it!
Yes.. give it to me!
Alder is the one. Leo did not use basswood
Voodoo science, disproved many times. The number one aspect that affects tone is pickup height.
Not true, it's just that electronics have a dominating power over tone and I'm saying this as literally a college educated electronics engineer with a deep understanding of both classic physics and quantum mechanics. *The major way wood and other materials effect tone is the soundwaves reflecting off of the surface and producing a feedback loop into the string as well as clipping away the predecessor frequency.* This is the return of some signal with a time based delay and the pitch that is most dominant from this physical feedback comes through in the guitar's electrical signal. *There's a reason that maple fingerboards sound distinctly different from rosewood and Ebony, and Stratocasters with their plastic pickguards have such a distinct sound.* A soft material doesn't shatter the soundwave the way a hard material does, and that is where the "wah" like shift comes from they're so widely known for because of how it aligns with the resonant frequency in the string and it layers into with the resulting physical feedback. In the end, you can ultimately get virtually any sound out of a pickup through directly onboard filtering in the circuitry, but it can also become an elaborate pain in the ass when the desire is a humbucker that sounds like a single coil, vice versa or maple that sounds like ebony instead. *There's also a huge factor in terms of sustain due to hardness rejecting energy and keeping more of that energy in the string, as well as damping factors, transient noise from material other strings etc.* But when I read or hear people swearing "that's been debunked many times!* my first question is, what's your scientific background or are you just an idiot parroting what you've been told. *You're a parrot, I am literally, LITERALLY a scientist in the most advanced field of science on earth lol!* I'm also a shred and sweep guy with dozens of instruments and my hands well into building guitars, not just electronic machines and devices.
Are those fender pickups? You have a really nice low growl.
@@Cruiseangel72 Aguilar Noiseless J & P (passive)
Set one of these 'Robertaylor' guitars up, new Gotoh tuners, fret job, etc, a couple years ago, and it's damned good. Guy paid 400 nzbucks with a case!
I was scammed a Taylor 814ce years ago; the most embarassing and painful on the wallet. I should have known better. The sustain was good but playabilty along the neck is not as good as I played it more. Be careful out there
@@giorassiccuriosity3179 man, I hate that for you…… This is why I felt the need for this video.
Man, I got a TVL oxblood myself and I guess it’s doing that annoying thing… Toggle switch pointed to neck and it’s gone, complete silence. As for upper “kill” switch, it’s dead as dead and you might have just given me a possible solution, at least towards one! I’ll try to see what’s going on under the hood next weekend when I’ll probably have a near full day. I hope it’s gonna be a quick one, we’ll see. Thanks for sharing and teaching some magic, man!
If you attach a guitar neck, a several ounce block of brass, then paint it, the resonance will probably change.
Beautiful bass.
Nah why does it squeek like that when he turns it
That was a one handed death grip squeeking on the finish….. that wasn’t the guitar neck joint 😂😂😂
are those your custom nordstrand pikcups?
@@-ljk- Yes, those pickups are custom made for us by Nordstrand.
Gorgeous bass! Sounds great too! Cheers from Citrus county Florida!
@@toddstropicals Thanks!
I almost bought a fake Taylor 914ce on Reverb. The most noticeable difference was the headstock logo. A real Taylor has a gap in the "a". Just like the one Ioocked at on Reverb, this one that Mark was showing had the same fake logo.
I didn’t catch that! Thanks!
Interesting use of a drill press. 👍🏼
The hardest part is to remember NOT to turn it on!!! Haha
@@VCustomShop 🤣👍🏻
This does have an effect on the transient attack of the note and how much high end content is let through. Also effects the amount of natural compression during that initial note energy. Certain build formulas dont allow these qualities to even rise to the surface. Once you build a few instruments using a thoughtful process from start to finish you realize what really effects the final product. The proper explanation using simple physics is a long read which ive gone through many times. All these videos disproving tone woods showing different necks on the same body etc, are amateur science projects. These videos usually involve build philosophies that are hardly effected by wood selection, they are also usually guitars not basses. An electric bass guitar is one of the most dynamic instruments and really shows the limitations of its design when the strings are dug into aggressively. Sampson Stringed Instruments
That is going to be such a MASTERPIECE ❤
@@JustMe085 Thanks!
Rockwood? What's the story with the knobs? love the body work. this should be posted in /r/Luthier and /r/BassGuitar
Hey, Thanks so much! Rockwood is a name that Greg Curbow used for his phenolic impregnated birch laminate material. I call mine Ultralam, but this neck came from a slab of Rockwood I purchased from Greg many years ago. The knobs are acrylic and are machined right here in my shop in Florida. Please feel free to share anywhere you like..... and thanks again! Mark Vinciguerra www.vcustomshop.com
I enjoy your playing Mark, you definitely know your way around a fretboard! The slap tone on this instrument hits like a sledgehammer through my live rig. I get a lot of compliments on this bass and let everyone know the master craftsman responsible. I just changed strings and am reminded again how precise and focused a bass guitar can be. Thank again Mark, you are the man...RMS
😊
@@ryansampson8523 I am afraid my playing was not so hot on this demo of your beautiful bass…… if you wanna send me over any little audio snippet or any video of you playing it, I would love to share it!
I am working on some sound clips through a pair of Millennia TD-1 Direct Boxes. I would like to do a full review with lots of talking and probably some playing..😊 Some friends of mine have a professional location with proper cameras etc. I just need to schedule some time between their music video shoots.
So how do I get you to do this for me? Price and everything?
@@robbieb405 Hey, thanks for watching..... This one took me about 3 hrs @$60 hr plus materials. So roughly $200...... a bolt on would go much faster, and some could be a little slower. MTV
I fucking hate poplar
This debate doesnt need to be a thing; simply go to a store and try two identical guitar models where the only difference in specs is the wood. Like try the pine vs alder versions of the American Professional ii, and decide FOR YOURSELF if its different to you. If not great, if so, great, it only affects you.
I believe the whole design philosophy of a fender instrument does not allow different wood choices to manifest. It is built around the pickup and designed to be consistently fender like.
My whole 6 piece ludwig is made of 7 ply poplar. Nice sounding kit, nice sounding wood. Ludwig also makes a kit with maple wood in the middle sandwiched between to poplar plys. But crazy expensive.
Alder: G Basswood: A Poplar: G# and A fighting each other
I love basswood
Wouldn't it depend on the moisture content?
The difference may be in the geometry
And that explain what people call cymatic btw
@@GabrielBarbosa-sn5ys The difference in pitch is definitely all about the size of the piece. I was listening to the overtones, or the lack of….. the purity of note, regardless of pitch. I should’ve cut (tuned) them to the same pitch for a better illustration.
Ibanez almost always uses their own Tremolo system on their higher end Japan made Prestige and Jem line. Usually Lo-Pro, ZR, etc. Any Ibanez made in Japan is considered their top-shelf offerings.
Tankn you so much for the video i really got what you want to mean
Alder is my clear preference for bass. Poplar sounds like a nightmare to eq. Thanks!
I agree with you I view it like this God gave Leo Fender, the knowledge of woods for creating instruments. When we start experimenting with other woods, it just doesn’t come out the same.. Alder is No.1 for bass
😂 kkkkkkkkkkkkkk
914
THANKS, MARK!
try alder vs alder
Alder the best, Poplar the most opaque, Basswood in the middle.
Remarkable. As a youth I would glue up pieces of basswood and make model jet airliners(dad was a woodworker and and as a youth observed WW2 bombers that flew practice flights over his home that he carved model bombers out of cedar). Light but reasonably strong for what it was.
Love them all but grew up with basswood and alder
different sizes? wahts the point
Just listening to the overtones….. not really pitch. Otherwise they would all have to be the same dimensions and thickness…… but of course that would have nothing to do with a guitar shape with holes in it and hardware mounted to it! Lol, this was just to hear the overtones or clarity of the pitch produced.
What song is that line from? 😮
Just noodling a grove…… wasn’t thinking of any song in particular.
im building a tribute that will not say ibanez anywhere visible on it. i have studied this guitar a t6on. the input cover on the back should have only 2 screws. the rear bridge cover should have the center screws offset. the tuners should be gotoh 510s. the bridge should be an ibanez edge zero 2, i am making mine with all original authentic parts, even the electronics are from ibanez factory. instead of the ibanez logo i am putting my logo so there will be no mistaking it for a real jem. i have already purchased over $800 of parts. plus spent $100 on mahogany for the body. im making the covers and pickguard out of brass and using magnets for attachment of rear covers. but i will even put my Q5 Graphics logo in the neck pocket and considering adding a (This is not an ibanez) tag on the neck pocket and back of the headstock. I am making my tribute to simulate the woody model with dimarzio dark matter pickups (a nice $450 purchase) and i am also not painting it i am going for a plain satin finish. I just like the shape of the guitars but having bought a lower price ibanez i dont want to rebuild a jem jr to replace all the crap parts in it then have to do hours of fixing their crappy work on the frets. the next one i build will be a PIA tribute for my granddaughter.
Recently purchased a Epiphone SG Special. I like buying cheap guitars and modding them to be a decent player. I have a couple of the cheap Epiphones and am super happy with their playability and tone. After a little elbow grease and replacing the tuners, which is a must on cheap Epiphones. So I get this SG and it’s sounds ok until I go to play something with chunk to it. Like heavy downstrokes and palm muting. Sounds thin compared to the other guitars. Changed pickups, same result. Changed wiring and pots, same result. Come to find out it’s a poplar body…the other guitars are basswood. Long story short, I’m selling the poplar body guitar. Stay away from poplar if you play rock or metal.
Interesting how many different opinions and personal experiences there are about "tonewood" and solid body electric guitars. Some saying it is all in the pickups, and others that the body wood makes a big difference in the final tone of the guitar. Even with a change in pickups, wiring and pots in this example, the sound apparently did not change. One thing that I do know being a cabinetmaker and furniture builder, is that there are many species of Poplar wood available to build things with. There is also a variance in the density from one slab to another depending not only on species, but also the size and age of the tree that the slab came from, as well as where on the log the slab was cut. Lumber cut from logs can be processed as Live sawn, Plain/Flat sawn or Quarter sawn. These different lumber cuts will all have fairly widely varying characteristics depending on how they are used and placed in a finished product, like a guitar body or neck. Lots of variables, just in wood selection. Processing costs among the various cut methods , even within a single species, also vary widely which is reflected in the price of the wood used and the final cost of the instrument itself.
Excellent points I never really considered. I think it ultimately comes down to each individual guitar. I never would have believed that the wood, and all its variables, would’ve made such a difference in an electric guitar. Until I bought a guitar that just didn’t have the sound that I’m used to. And then to change all the electronics out and it still sound the same…basically sounds like it has less output. It’s very confusing.
@@125grizzle That would lead me to surmise that the density of that particular wood, body and neck both perhaps, is low enough to affect the natural resonance of the instrument overall. It could be leading to sort of an "absorption" of some of the sound (vibrations) that should have been available to be "pulled out" of the guitar. One of the first things that I do during the initial evaluation of a particular electric guitar, is to play it and especially while strumming it acoustically. Some guitars just feel sort of dead, from a natural resonance standpoint. Others seem to come alive in my hands and sound and feel good, vibration and resonance wise, even before being plugged in. Ideas to consider?