- Видео 105
- Просмотров 255 363
水山古琴ShuishanYuGuqinMusic
США
Добавлен 15 янв 2013
This is my guqin channel. I post here music performances, guqin tutorials, as well as theory and history about guqin music, and techniques and know-hows about guqin as an instrument.
這是我的古琴頻道。大家在這裏的視頻中可以看到經典琴曲的演奏,古琴新作品的推介;也可以跟隨視頻學習古琴或某首琴曲;另有關於古琴歷史和理論的講座,以及關於這件樂器的相關知識和技能。
這是我的古琴頻道。大家在這裏的視頻中可以看到經典琴曲的演奏,古琴新作品的推介;也可以跟隨視頻學習古琴或某首琴曲;另有關於古琴歷史和理論的講座,以及關於這件樂器的相關知識和技能。
Why qin music theory? Five modes not pentatonic 五音乃五調 非五聲
Know music theories makes a difference! If you ONLY know one music theory, your music expression is limited. You can write great music, but your expression is limited!! When you try to mimic writing a different language, a native can immediately tell. Be a bilingual or trilingual in music!!!
It will bring your music composition greater potential!!! Understand their terminologies instead of using western frame to contain them. Truly understand a different music tradition.
It will bring your music composition greater potential!!! Understand their terminologies instead of using western frame to contain them. Truly understand a different music tradition.
Просмотров: 122
Видео
酒狂版本二 Jiukuang (Drunken Madness) Version II 古琴名曲 guqin classics from Shenqi Mipu 神奇秘譜 (1425)
Просмотров 4556 месяцев назад
Drunken Madness from Ming dynasty qin manual Shenqi Mipu 神奇秘譜 (1425) attributed to the 3rd century Ruan Ji. This is a version using a different rhythm than the typical ¾ beat. A lot of improvisations.
古琴課:逐句學名曲《鷗鷺忘機》六 走音節奏、猱Tutorial guqin classic Ouluwangji Without Ulterior Motives 6 slide nao rhythm
Просмотров 1388 месяцев назад
本視頻逐句學習古琴經典名曲《鷗鷺忘機》。這是其中的第五部分。 In this video, we learn guqin classic Ouluwangji (Without Ulterior Motives) sentence by sentence. This is part 6.
Song of Secluded Orchid 幽蘭操 music fr. ballet “Confucius” by Zhang Qu arranged for qin by Shuishan Yu
Просмотров 2859 месяцев назад
The music for this piece is from the Chinese dance drama “Confucius” composed by Zhang Qu. I arrange it to play on guqin. As guqin music, this piece is unique as it uses six different keys. I use the common tuning Zhonglu-jun (third string Do=F). The melody starts in F major slow and calm. As the momentum builds up, the music migrates to C major, then D major, E major, G major, and finally ends...
古琴課:逐句學名曲《鷗鷺忘機》五節奏、指法與唱弦Tutorial guqin classic Ouluwangji Without Ulterior Motives 5 string singing
Просмотров 25411 месяцев назад
唱 String 弦 Singing 本視頻逐句學習古琴經典名曲《鷗鷺忘機》。這是其中的第五部分。 In this video, we learn guqin classic Ouluwangji (Without Ulterior Motives) sentence by sentence. This is the fifth part.
古琴課:逐句學名曲《鷗鷺忘機》四 節拍器韻律Tutorial guqin classic Ouluwangji Without Ulterior Motives 4 metronome? rhythm
Просмотров 112Год назад
彈琴用 Metronome 節拍器? For guqin? 本視頻逐句學習古琴經典名曲《鷗鷺忘機》。這是其中的第四部分。 In this video, we learn guqin classic Ouluwangji (Without Ulterior Motives) sentence by sentence. This is the fourth part.
古琴課:逐句學經典名曲《鷗鷺忘機》三 點與綫 剔落點 Tutorial guqin classic Ouluwangji Without Ulterior Motives 3 dot&line ti
Просмотров 125Год назад
點/綫 Line/dot 剔飛落 Flying Ti 本視頻逐句學習古琴經典名曲《鷗鷺忘機》。這是其中的第三部分。 In this video, we learn guqin classic Ouluwangji (Without Ulterior Motives) sentence by sentence. This is the third part.
古琴課:逐句學經典名曲《鷗鷺忘機》二 猱的節奏處理 Tutorial guqin classic Ouluwangji Without Ulterior Motives 2 rhythm of nao
Просмотров 160Год назад
本視頻逐句學習古琴經典名曲《鷗鷺忘機》。這是其中的第二部分。 In this video, we learn guqin classic Ouluwangji (Without Ulterior Motives) sentence by sentence. This is the second part.
古琴課逐句學經典名曲《鷗鷺忘機》一滾拂的指法節奏處理 Tutorial guqin classic Ouluwangji Without Ulterior Motives 1 gunfu rhythm
Просмотров 205Год назад
忘機?望楫? 滾拂 節奏 Gun Fu Rhythm 本視頻逐句學習古琴經典名曲《鷗鷺忘機》。這是其中的第一部分。 In this video, we learn guqin classic Ouluwangji (Without Ulterior Motives) sentence by sentence. This is the first part.
幽蘭 Youlan (Secluded Orchid) 古琴名曲 guqin classics by Qiu Ming 丘明(497-590) from Guyicongshu 古逸叢書
Просмотров 831Год назад
最古老的存譜 真正千年前曲調 未必合今人耳 多聽才懂其深味 Truly ancient tune off 1300-year-old score. May not be appealing to modern ears. A masterpiece nonetheless. Youlan 幽蘭, or Secluded Orchid, is the only qin music with a score from the Tang dynasty (618-906). It is attributed to the Six Dynasties Qiu Ming 丘明(497-590) copied by a Tang dynasty scholar collected in the Guyicongshu 古逸叢書. The manuscript is written in Wenj...
A5a-古琴指法 guqin fingering: 曲三;第一段,隔一弦八度勾挑;綽、注 (Etude 3, part 1, octaves across one string; chuo, zhu)
Просмотров 275Год назад
This video is the first lesson on left hand techniques. It teaches how to use left thumb and ring fingers to stop a string, as well as the techniques of chuo, or sliding up toward the aimed position, and zhu, or sliding down toward the aimed position. This video is the first part for Etude Three 曲三 in Yu Shuishan Guqin Etudes 于水山古琴練習曲集. In addition to fingering techniques, the first part of Etu...
古琴教學 滄海龍吟之一 大索,指、掌、腕、小臂、大臂之動作原則 Canghailongyin-1 Dasuo, finger movements
Просмотров 180Год назад
古琴教學 滄海龍吟之一 大索 指、掌、腕、小臂、大臂之動作原則 Canghailongyin-1 Dasuo, finger movements
A3c Guqin Tutorial: Shuishan Yu Etude 2: alternating gou & tiao-3 (教學視頻:于水山古琴練習曲二:散音勾挑交替;勾、挑的各種保留指法)
Просмотров 217Год назад
This video introduces the techniques for alternating gou and tiao on open strings. For gou, we practice retaining fingers on the same string; for tiao, we practice retaining fingers on neighboring string (T3R2, T4R3, etc.), across one string (T7R5, T6R4, etc.), and across two strings (T7R4, T6R3, etc.). This video uses the score for Etude Two 曲二 in Yu Shuishan Guqin Etudes 于水山古琴練習曲集. This video...
Liushui played on tuning frame, Visit to Mr. Shan Zhiyuan's qin manufacturing studio 單師琴坊試音架上彈流水
Просмотров 349Год назад
This is a video take by Prof. Shiau, Ming-Twen 蕭銘芚 教授, Director of the Department of Arts and Design at the National Tsing Hua University in Hsinchu, Taiwan, during our visit to the qin manufacturing studio of Mr. Shan Zhiyuan 單志淵, son of Shan Zongyi 單宗儀. Shan Zongyi was a student of Xu Ang 徐昂, the elder brother of one of the Meian founders Xu Lisun 徐立孫. The instrument was unfinished. The strin...
Pingshaluoyan played on tuning frame, Visit to Shan Zhiyuan's qin manufacturing studio 單師琴坊試音架上彈平沙落雁
Просмотров 242Год назад
Pingshaluoyan played on tuning frame, Visit to Shan Zhiyuan's qin manufacturing studio 單師琴坊試音架上彈平沙落雁
Guanshanyue played on tuning frame, Visit to Mr. Shan Zhiyuan's qin manufacturing studio 單師琴坊試音架上彈關山
Просмотров 336Год назад
Guanshanyue played on tuning frame, Visit to Mr. Shan Zhiyuan's qin manufacturing studio 單師琴坊試音架上彈關山
Guqin tutorial: the significance of being relaxed /a new perspective! 教學視頻:古琴演奏中的放鬆及其意義/視頻新視角!
Просмотров 492Год назад
Guqin tutorial: the significance of being relaxed /a new perspective! 教學視頻:古琴演奏中的放鬆及其意義/視頻新視角!
Airs of Fifteen States 十五國風:Odes of Wang · Gathering Dolichos 王風·採葛/Shuishan Yu Etude 46 于水山古琴練習曲四十六
Просмотров 311Год назад
Airs of Fifteen States 十五國風:Odes of Wang · Gathering Dolichos 王風·採葛/Shuishan Yu Etude 46 于水山古琴練習曲四十六
Airs of the Fifteen States 十五國風:Odes of Bei · Cedar Boat 邶風·柏舟 / Shuishan Yu Etudes 43 于水山古琴練習曲集曲四十三
Просмотров 232Год назад
Airs of the Fifteen States 十五國風:Odes of Bei · Cedar Boat 邶風·柏舟 / Shuishan Yu Etudes 43 于水山古琴練習曲集曲四十三
Airs of the Fifteen States 十五國風: Odes of Zheng · In the Field Is the Creeping Grass 鄭風·野有蔓草 / 于練曲四十五
Просмотров 2232 года назад
Airs of the Fifteen States 十五國風: Odes of Zheng · In the Field Is the Creeping Grass 鄭風·野有蔓草 / 于練曲四十五
Play along 跟彈 Shuishan Yu Guqin Etudes: No. 5 于水山古琴練習曲集 曲五
Просмотров 1562 года назад
Play along 跟彈 Shuishan Yu Guqin Etudes: No. 5 于水山古琴練習曲集 曲五
D2 古琴課:逐句學經典名曲《玉樓春曉》一 Learning guqin classic Yulouchunxiao (Spring Dawn at the Jade Tower)part 1
Просмотров 4842 года назад
D2 古琴課:逐句學經典名曲《玉樓春曉》一 Learning guqin classic Yulouchunxiao (Spring Dawn at the Jade Tower)part 1
Play along 跟彈 Shuishan Yu Guqin Etudes: No. 4 于水山古琴練習曲集 曲四
Просмотров 1682 года назад
Play along 跟彈 Shuishan Yu Guqin Etudes: No. 4 于水山古琴練習曲集 曲四
D1 古琴課:如何改變古琴的弦法:仲呂均轉無射均(緊五弦) Guqin tunning change: from Zhonglu (F) to Wuyi (bB)
Просмотров 4112 года назад
D1 古琴課:如何改變古琴的弦法:仲呂均轉無射均(緊五弦) Guqin tunning change: from Zhonglu (F) to Wuyi (bB)
Play along 跟彈 Shuishan Yu Guqin Etudes: No. 3 于水山古琴練習曲集 曲三
Просмотров 2632 года назад
Play along 跟彈 Shuishan Yu Guqin Etudes: No. 3 于水山古琴練習曲集 曲三
Play along 跟彈 Shuishan Yu Guqin Etudes: No. 2 于水山古琴練習曲集 曲二
Просмотров 2772 года назад
Play along 跟彈 Shuishan Yu Guqin Etudes: No. 2 于水山古琴練習曲集 曲二
Play along 跟彈 Shuishan Yu Guqin Etudes: No. 1 于水山古琴練習曲集 曲一
Просмотров 2962 года назад
Play along 跟彈 Shuishan Yu Guqin Etudes: No. 1 于水山古琴練習曲集 曲一
莊子蝴蝶 Zhuangzihudie (Zhuangzi and Butterfly) 古琴新曲 guqin modern composition by Shuishan Yu 于水山
Просмотров 1,2 тыс.2 года назад
莊子蝴蝶 Zhuangzihudie (Zhuangzi and Butterfly) 古琴新曲 guqin modern composition by Shuishan Yu 于水山
離騷 Lisao (Encountering Distress) 古琴名曲 guqin classics from Shenqi Mipu 神奇秘譜 (1425)
Просмотров 3,2 тыс.2 года назад
離騷 Lisao (Encountering Distress) 古琴名曲 guqin classics from Shenqi Mipu 神奇秘譜 (1425)
醉漁唱晚 Zuiyuchangwan (Drunken Fishermen's Evening Song) 古琴名曲 guqin classics fr. Xilutangqintong 西麓堂琴統
Просмотров 5313 года назад
醉漁唱晚 Zuiyuchangwan (Drunken Fishermen's Evening Song) 古琴名曲 guqin classics fr. Xilutangqintong 西麓堂琴統
This beautiful version reminds me of the one played by Liang Ming-Yüeh and recorded at the Museum für Völkerkunde Berlin in 1975. It has always been my favorite piece for this instrument.
i see many people play the guqin on a table, but I have read there are some traditional sitting positions to play it sitting on the ground without a table. i like that idea more, I tried to find resources with pictures or detailed descriptions. but find not really a lot. do you have any links or info about that? By the way thanks for your answers in the other video. they help. i losed the string a bit and tightened it and then it worked, the issue was gone. but maybe I will try to tune it to c2 my tuning is at the moment from string 1 to 7 C1 D2 F3 G4 A5 C6 D7 if you recommend other tuning I am open to it because i just learning it and have it 1 day :D
learn to play on a table first. there is a reason for that... and there are specific requirements for the table-stool height relation. I have videos explaining that.
@@ShuishanYuGuqin thanks for the tips you are amazing.
i have also another question, the keck of the first string at my guqin is kinde lose I think, I tuned first string to c1 but when I play it it makes a not normal vibration sound. so I tested around were the sound comes from or why.. if I put my finger on the string knot and play it does not make the wrong sound. so I think is it the string the keck or I don't know. maybe you have an idea? i can make also I youtube video if you want to understand the problem bedder.Would be nice if you can help . By the way nice videos they halp alot
string 1 is often tuned c2. c1 is too loose. If you cannot tune it to c2, you might need to re-string the whole set, for which I also have videos.
short question, is the tasso just decoration or it has some other thinks to do then it is just decoration?
The removable tassels are just for decoration. Most of my guqin are without tassel.
To further explicate: This video talks about the 2nd layer of 3 in "Chinese music theory" - the first layer being temperament, the second (this) is modality. The third would be application into tuning.
This is a great insight. Yes, that is exactly my series plan, starting with modality, then diao/key, then temperaments, then application to qin tuning...
❤🎉❤❤🎉❤🎉❤
Very interesting and helpful perspective. I look forward to your the upcoming videos in the series. As you discuss Guqin music theory, it would be particularly helpful to understand how compositions have or have not changed over different periods of history.
Excellent suggestion. Thank you. Indeed, both historical evolvements and regional varieties on qin theories are complicated.
Beautiful.
thanks
I play this in class before I teach Zhuangzi. Love it.
@@douglasficek5304 Great! Where and what subject do you teach?
I teach philosophy, and in recent years I’ve been focusing a lot on Chinese philosophy, which unfortunately was not part of my formal philosophical education. Not surprisingly, the Zhuangzi has become one of my favorite texts.
@@douglasficek5304 That's excellent! Are you professor Douglas Ficek at the University of New Haven?
Wish you showed a closeup as I couldn't tell what was being done. I just got my guqin and the tassels are not attached and I have no idea what their purpose is or what to do with them.
i wish i can help, and have closeup video to show you. but i don't have a team to adjust the camera while i am doing it ... it is actually very simple. you may figure it out by watching this video a couple more times.
Hello and thank you for this series! I still have a problem with my qin unfortunately. The tuning pegs (qinzhen) of the 6th and 7th string of my guqin kept slipping and un-tuning the string. I fixed that issue by re-stringing those two strings. However, despite the 6th and 7th strings being in tune now, they no longer align with the hui on the body of the qin! This makes it very difficult to follow written qin music as a beginner and has demotivated my practicing. Do you have any tips on how to make the string align with the hui’s again after re-stringing?
練完這首曲子啦,開心
Amazing! I love how the tassels look on my guqin but my cat keeps wanting to play with them so I'm sadly going to have to take them off. I don't want to risk my cat pulling the guqin off the table...
老師,找不好換氣點怎麼辦
彈琴呼吸的確非常重要。換氣,想像你在唱歌
@@ShuishanYuGuqin 好噠,我試試
wow 老師教的好好啊
謝謝
“There is a beauty in the difficulty.” And pain haha ! Restringing my qin has been a test of fortitude in multiple ways… Frustrating, but worth it. My guqin sounds so beautiful with higher quality strings, thank you for this video ! 🙏
Красиво😊
thank you
聽著不全是梅庵琴譜,多了許多進復、些許揉等等,沒想到長門怨可以這麼彈,受教了
謝謝留言。希望聽到您的版本
My favorite rendition of this song thanks
Thank you.
Wow thank you very much for the lesson in English! I like your content very much, please go on ❤
Thank you for your English version I especially like flying geese flapping wings part of the lesson. Have a great day.❤
Where is your English version of? What you’re saying I do not see a CC on your video
This is an excerpt from my lessons taught in Chinese. i will make more videos in English. Thank you for your attention.
Phenomenal
thank you
One of the best. I've shared your album version to many people and everyone loves it.
thannk you so much!
Lovely!
Thanks
老師,謝謝你,在海外,古琴老師真的非常缺乏。在youtube像你那樣耐心地一句一句教真的非常非常少,都只是演奏示範。 想學的,只能臨淵羨魚,卻無從下手,遇難處無法行進。 希望你多拍古琴影片,謝謝你。
謝謝!您的留言讓我覺得視頻做得有意義。真的很花時間。。知道有人從中獲益很開心
聽的時會會陶醉法哪裡練習的時候長照的時候他有心動的感覺練習才有意義心動就是行動的意思very nice's.like to have more on learning, spend times , with it ..
謝謝。comments make me feel worth of the time spending on creating these videos.
May I inquire about the tempo in which you played this piece? I know most times it is open to interpretation as tempo is not often transcribed in historical pieces but sometimes the intention and scenery are. I have just located a copy of the original piece but my Mandarin is limited so translation will be slow as I translate and transcribe. May I ask what was the inspiration or inclination to play at this pace? Thank you in advance for any guidance you may offer.
I start with 48 beats per minute, then 60, 72, 80. Most parts are 72, some 88; toward the end, ritardo. In general, the piece start slow and quiet, getting more and more agitated, and ending quiet again. Historical records connect this piece with Confucius, who lamented on secluded orchid as its beauty is hidden unrecognized, just like a gentleman in a corrupted world. I think the music captures the images of orchids well, pure and graceful, even the subtle smell, with both sound and fingering.
有人明白嗎?😊
謝謝老師!
学琴快-年了。深感没有打好基本功。跟着老师的练习曲重学基础。谢谢老师。祝感恩节快乐🌹。
谢谢!很高兴知道我的练习曲对你有用。
Such a delight to listen to this, I am totally indulged.
Thank you! Indeed it's a masterpiece.
I’m sorry I don’t understand what you’re saying you’re capture is not on speaking it in English what you are saying
i will make more videos in english later. thanks for understanding.
好。谢谢。
如果我有你的技能水平,估计对曲子深切理解上比你强,因为我是女人。不过你有你的特点,也许更大方些,而不是苦憋。
我练这首快一年了,不容易呀,深有体会。你一开场我就知道谈得好。学习了,谢谢。
Could you please guide the technique by hand gestures? Thank you 🙂🙏🙏
ruclips.net/p/PLmgFh2AbjhjPzb2dV4yNyIqMo_44ZXAEh They are in other lists...
ruclips.net/p/PLmgFh2AbjhjNtsDb-XNqNmeJwXke1TTRJ
Thank you! I was wondering how to do this.
glad it helps!
Wow this Qin have a really good sound 😲
看不到指法效果大打折扣
🥳嘆為觀止,起立鼓掌! 🥰感謝蕭老師的拍攝,感謝單老師的琴,感謝于老師的絕妙演奏,太精彩太美妙了! 🥳 Standing ovation for an extraordinary performance! 🥰 Thank you, Prof. Shiau, for the filming. Thank you, Mr. Shan, for the qin. And a heartfelt appreciation to Master Yu for your exquisite playing. It was absolutely amazing and truly beautiful.🥰❤
謝謝!
learning this instrument . thank you . 😎
Thank you for the relaxing music, your mastery of the instrument is incredible!
какой красивый гуцинь 🤗
谢谢老师分享,请多发些视频。
好的。謝謝!
Thank you. Very clear.
Thank you Shhishan. [返注]有點類似[放合], 是否是一樣的?
Hi Peiyou: Thank you for the comment. “返注” 確實有時候會放出一個前弦的散音,效果上有點像“放合”。不過在概念上,兩者完全不同。由於手指的位置,在返注中,為了後弦的注,前弦必須有一個向上的尾音,這是其特點。但放出散音則不是必然,例如如果用甲肉轉換過弦就沒有放合效果。
@@ShuishanYuGuqin I see. Thank you.
It's not just liking it, it's yearning for it. The ending part from 《酒狂》that Master Yu casually played was so poetic and beautiful. I really want to be able to play my favorite melodies(including《酒狂》) as gracefully and effortlessly as Master Yu does, someday. It's so wonderful! Appreciate Master Yu for updating new video! I feel very inspired! ^ ^
Thank you so much Hikari for your generous comments!
This is an helpful tutorial. The principle of relaxing the shoulders so that the fingers take on their natural weight makes a big difference in finding the right amount of pressure to use when pressing the strings to the fingerboard. Thanks!
Thank you for the great summary!
Great advice that applies to almost any stringed instrument. 🤓
Indeed. Thanks for this excellent point.
Hello? Thank you for your video. How often do guqin strings need to be changed? Does it break often?
It depends on the quality of the strings. Metal strings last very long. I have instruments that I bought more than 20 years ago still with its original strings working. Silk strings break more often. Which ever you have, you don't need to change them until they: 1) are broken; 2) can't be start right on the bridge while properly tuned, in this case, you just need to adjust the silk ropes and restring them; 3) silk strings flake to form uneven surfaces; 4) wound metal strings unravel.
@@ShuishanYuGuqin Thank you very much!