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It would be great to have a pianosheet of your wonderful arrangement

Bravo!

From one teacher to another, excellent job, man.

What a great lesson, I learnt a lot

All this theory is for piano. When you play chords same instrument the tonic affects melodic notes. In piano chords the tonic played often. But if you take just a melodic line there is no often tonic play. In the one melody of 16 bars you will have only 1 most bottom note and it is ok. Harmony is for synchronous sounding. If you play just a melody you have no filing of returning home.

Thank you bro

Bro you’re so good at piano! I wanna learn

fuck

This feels like the final exam of being an intermediate musician, great video ! kinda sad tho you didnt follow up on the plans for your channel for 2024 i hope you are doing good, so looking forward to learn more!!! much blessings brotha

this descent is huge even as just a 4 chord movement

Tight!

Such great tips! Imagine you are singing the notes.....😊

I love how the bass notes mimic the running of a horse, similar to Franz Schubert’s Erlkönig. Keep up the amazing work!

Merci ❤

I applaud your efforts to keep classical music alive by innovating while staying true to the classical style.

Splendid piece of work; How abate to my mind.

Text unreadable. Needs more contrast.

Amazing content can’t wait for the modulation video

This is amazing

Sounds beautiful ❤

Looking forward to your album release! I love your song “Strange New World”.

Beautiful!!

Phish

Not sure if my rabid animals deserve to live lmao

Have you got the sheets? 👀

Looks beeeeeutiful so far

Oooo, nice... I'm going to cheat and play it in Am instead of Abm like it is in the original and you've done it here because i cannot do that staccato chorus intro like you've got the chops for... I've lost quite a bit from not performing constantly like i used to and it's hard knowing that diving back into really challenging pieces is going to take a bit more than it used to to get down correctly 😅

Nice

Dude… This is so good. Brilliant.

This is incredibly helpful. Thank you so much.

I immediately subscribed upon watching this video. Really appreciate your work, keep it up!

Bro how are u cause you’re like young but wise af in this

Thanks for pointing out that the brighter/darker description of modes makes no sense.

Is this type of thing common knowledge among advanced amateur or professional musicians, or only people who have specifically studied theory and composition? I say this because I took 10+ years of classical instrument lessons in my youth, and while I did reach a relatively advanced level of technical instruction, I was taught virtually zero of the theory and concepts of modes, chord progressions, tonics and diatonics, any of that stuff. When I was playing the violin and piano, as far as I was concerned the key was virtually trivia- as long as I could read the notes and play them correctly, why did I even need to know what key I was technically playing in? Did I receive uniquely poor instruction that just happened to ignore all musical aspects other than the technical performance of my instrument? Or is this still the common way classical music is taught, and we're now opening our eyes to applying 20th century songwriting disciplines to our old classical music? I wonder, how many of the young professionalsl performers I admire- like Hilary Hahn, Sumina Studer, Ray Chen- do they also look at and discuss music using the same harmonic theories as modern pop rock producers? Or, since they are performers of music composed by others (as opposed to the American singer-songwriter tradition through which we view modern music), do they not think in compositional terms either?

Hey Pur Pasteur, are you willing to do any virtual piano lessons? I am really enjoying your videos and would love to learn from you directly.

Nice idea, I might try this chromatically, like skipping in minor thirds or perfect fifths. Will be all kinds of helpful I'm sure

Wow, a lot of really good gems packed into this 8 minute video! Looking forward to the next video on momodulations! Thanks

you make such high quality videos, i enjoy them and learn a lot even as an alt rock guitarist who only knows basic theory

1. Love the hair. 2. You tend to go much deeper than I expect from a RUclips video. I almost didn't watch because the title seems so self explanatory, but letting yourself think you know everything is a good way to not keep learning. . . and, well, you teach much past the simple concept I was anticipating. You're also a great help with things that don't get talked about as much such as the leading tone!! Thank you for sharing nuanced and Important details!!

Your videos are excellent on so many levels.

💯❤

Exceptional control of melody and tone! Thx!

Beautiful voicing!

Great video ! Music theory has been so hard to learn, I've put it on the backburner for far too long. Want to get to a point where I can make the music I daydream of!

I'm excited for a modulation video! Your videos are really great at explaining concepts I have a basic understanding of in new ways that click well

I think musicians as a whole would benefit if sheet music would specify the mode or scale they would be using at the beginning of the piece. It would also translate the chord functions as well. Love your techniques for finding the scales though! Great video dude!

Thanks man!

7:38 okay, but why isn't it I-V-I-V instead of IV-I-IV-I? What's making the difference? Think about it... I mean come on, really look at it... It's because of the C# note in the Dmaj7 chord. In the key of G, you would have a C natural which forms a tritone with F#, but in D, the C# forms a tritone with G.

3:53 I mean there's no point in considering relative major and minor modes to be different keys on the first place, no matter the genre. Everything is the same relative to them, because they're the same context. This is just a dumb idea that has persisted since the beginning of occidental music theory, even though it is practically pointless. Why ever have the concept of it's pointless and doesn't make any difference? Relative major and minor are the same key.