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Heritage Focus
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Добавлен 8 май 2023
Vintage lenses adapted to modern camera. - linktr.ee/heritagefocus
Welcome to Heritage Focus, the go-to channel for photography enthusiasts passionate about blending the charm of vintage lenses with the capabilities of modern cameras. Our mission is to breathe new life into classic camera lenses by showcasing their performance, reviewing their unique features, and comparing them to today's lenses. Join us as we explore the rich history of photography through sample images, tips, and techniques that will help you unlock the full potential of these timeless treasures. Plus, don't forget to download sample RAW images to experience the magic of these lenses first-hand on your computer. Subscribe to Heritage Focus and embark on this nostalgic journey with us!
Welcome to Heritage Focus, the go-to channel for photography enthusiasts passionate about blending the charm of vintage lenses with the capabilities of modern cameras. Our mission is to breathe new life into classic camera lenses by showcasing their performance, reviewing their unique features, and comparing them to today's lenses. Join us as we explore the rich history of photography through sample images, tips, and techniques that will help you unlock the full potential of these timeless treasures. Plus, don't forget to download sample RAW images to experience the magic of these lenses first-hand on your computer. Subscribe to Heritage Focus and embark on this nostalgic journey with us!
The $95 Magic Lens for Fuji GFX - Canon EF 40mm Pancake
The Canon EF 40mm f/2.8 STM pancake is a tiny and affordable lens that delivers excellent image quality. It’s a great all-around lens for the Fuji GFX 100 II and 100s. It's sharp, compact, and lightweight, making it ideal for travel, street photography, and everyday use. In this video, we'll take a close look at the lens's features and autofocus performance on the GFX 100 II as well as share some sample images.
Vintage Canon Camera Ad Courtesy of vintagecameradigest.com
Keywords: Canon 40mm f/2.8 STM, Fuji GFX 100 II, adapted lenses, medium format, vintage lenses, manual focus lenses, Heritage Focus, review, sample images, specifications, history, tips
** Note that the AF-S mode as shown wa...
Vintage Canon Camera Ad Courtesy of vintagecameradigest.com
Keywords: Canon 40mm f/2.8 STM, Fuji GFX 100 II, adapted lenses, medium format, vintage lenses, manual focus lenses, Heritage Focus, review, sample images, specifications, history, tips
** Note that the AF-S mode as shown wa...
Просмотров: 16 775
Видео
THE Budget Wide Angle Lens for Fuji GFX - Contax 645 35mm f/3.5
Просмотров 7 тыс.Год назад
Discover the stunning performance of the Contax 645 35mm f/3.5 lens on the Fuji GFX 100s in our latest review! We dive deep into the lens's color and sharpness, showcasing sample images that highlight its significant capabilities. This vintage gem is not only a fantastic performer but also a unique, wide-angle addition to your Fuji GFX camera setup. Don't miss out on this comprehensive review o...
Autofocus Contax 645 80/2 on Fuji GFX - Masterful Medium Format
Просмотров 12 тыс.Год назад
Today we’re diving into the Contax 645 80mm f/2 medium format lens on the Fuji GFX 100s camera.. We’ll take a look at the origins of the lens, how it performs as far as autofocus speed, and examine the lens's sharpness, color reproduction, and amazing bokeh. We’ll look at the lens’s availability on the used market and provide a target price that you can use if you happen to be shopping for your...
Medium Format Brilliance - Zeiss Otus 85mm f/1.4 on the Fuji GFX 100s!
Просмотров 12 тыс.Год назад
Today we have a legendary combination to explore! In this video, I'll be taking an in-depth look at the Zeiss Otus 85mm f/1.4 lens on the Fuji GFX 100s camera, a match made in photographic heaven. We’ll cover the history of the Otus family, and examine the lens's sharpness, color reproduction, and breathtaking bokeh. Additionally, I'll share information about lens availability and provide insig...
Vintage Lens Magic: Fuji GFX 100s & Mamiya 645 120mm Macro
Просмотров 12 тыс.Год назад
Big things come in… big packages! We look at the Mamiya 645 120mm f4 Macro lens on the Fuji GFX 100s in this episode of 'Heritage Focus'! We’ll look at the different versions of the lens, review the specs, and look at plenty of sample images so you can see how the lens performs. Click play and join our journey to discover more about the medium format Mamiya 645 120mm f/4 Macro lens. … and remem...
A Budget Lens Game Changer: Fuji GFX 50R + Pentax 645 75mm f/2.8
Просмотров 26 тыс.Год назад
Dive into the enchanting realm of vintage camera lenses with our latest episode on the iconic Pentax 645 75mm f/2.8 SMC lens. We unfold its intriguing history and era-defining characteristics, delivering a detailed overview of this classic piece of photographic gear. The magic truly unfolds when we put the lens to the test on the Fuji GFX 50R. Enjoy a rich gallery of sample images, showcasing t...
Price or Performance? Leica Q3 vs. Fuji X-E4 Photo Challenge
Просмотров 3,1 тыс.Год назад
Today we put the luxury, fixed lens, Leica Q3 head to head with the affordable yet powerful Fuji X-E4. Get ready for a blind photo test to see if price equals image quality! Are the Leica Q3 and the Summilux 28 1.7 really worth the extra $5,000, or can the Fuji X-E4 and 18mm f/2 give you some stunning images at a fraction of the cost? In this photo challenge, we've prepared a slideshow of 30 im...
Step Up Your Bokeh Game: The Minolta Rokkor 58mm f1.2 for Fuji GFX & X
Просмотров 6 тыс.Год назад
In this video, we look at the history and performance of the legendary Minolta Rokkor 58mm f1.2 lens. Join us as we explore its distinct rendering and unique bokeh and see why this classic lens has stood the test of time. As with all Heritage Focus reviews you can download the sample raw files and view how the lens performs for yourself! www.heritagefocus.org/episodes Chapters 00:00 INTRO 00:26...
What's Heritage Focus? Glad you asked!
Просмотров 200Год назад
A very brief hello and introduction to the channel. If you like adapted, vintage lenses and exploring their characteristics, then welcome home!
Seems your updates are missing a big deal from the pics. The A version shows a manual aperture adjustment. The others are missing this and may be a problem adapted? This nearing the weight you can load a gfx body when extended?
Which adapter is better?
Is it there similar lenses with this characteristics? Thanks.
I don't think it was fair to compare the weight and size of the GF120mm with a Mamiya 120mm - the Mamiya offers 1x while the GF120mm would require at least the (very expensive) 45mm extension tube, increasing the bulk and weight and even then the image quality would be far below the Mamiya.
My lens has nowhere near as much vignette as shown in the video. Just some very little piece of the corner. Two things to keep in mind. I have the older version, with metal focus ring. And I take the lens hood off - it vignettes on GFX. I made a bigger lenshood with a 55-67mm step up ring and a simple metal lens hood. And the vignetting is just super minimal. Near non existing at closer distance and really only showing at infinity - which you rarely use this lens at.
The filter size is 77mm.
A wonderful video, some cracking pictures and super cool delivery.
It's better to understand any lens before running a rant on that.
It looks like a Medium Format look.
Several wrong information given.
"autofocus is useable" yeah try that on a C645 body
Hi! Thanks for the content! Trying to make my GFX camera into X100 version but 28mm FF focal length. Its for everyday carry so I dont mind it being manual or auto focus. Do you have any recommendations that is a compact, covers the 44x33 very well that is 28mm FF equivalent? I wished voigtlander 35mm f2 to be one but can't find much information on it. Thanks a bunch!
Looking for a method for scanning negatives with my GFX 50R I purchased a PK adapter to use with my Pentax smc A 100mm f4 macro lens. Amazing! no need to use crop mode, hardly any fall off in the corners and no smeering, sharp corner to corner at f11which I use for negative scanning (with extension tubes). So tried my 50mm f1.7, some poor corners at f1.7 but all good by f4, an amazing lens. So my last remaining Pentax lens smc A 70-210mm f4 again very good, probably may replace my P 645 80-160mm due to weight difference. I have long suspected that my copy of that zoom lens was better IQ than average hence why I still have is when not using Pentax now.
I have been using a Pentax 645 80-160mm and have been impressed once stopped down half a stop or more. Heavy thought stuck out on the end of the adapter! At least my adapter has a tripod shoe which makes a ballanced handle. With the exception of the 90mm APO, my Voightlander VM lenes are disapointing even in 35mm crop mode when wide open.
Good job,I got same setup
Would’ve been nice to include moving into the AF test. Otherwise it’s impossible to see how good the tracking in AF is.
Good video but please... once it's established you are talking about a "lens", you don't need to say it every sentence... it hurts my ear holes.
Maybe next time include some 100% sized views of the images. Seeing images zoomed out to full screen says or shows very little of the actual sharpness of a lens. Especially if you also leave out the specific F-stop used in every image. There is little to play with here. Is the lens sharp wide open at F2.8? Does it get much sharper at F8? How does it perform at 50MP? Only questions, no answers.
A good test to see whether a lens can outresolve the GFX sensor is to put the aperature at f/5.6, take a photo, then do a pixel-shift multishot under the same conditions. If the pixel shift image has more detail than the regular photo then you know the lens is capable of outresolving the GFX sensor. The aperature is important here because beyond F/7.1 you will be diffraction limited and pixel shift does not help. Then if the lens is too wide open you will have to deal with abberation induced blur which could cause blur limited performance. Again, pixel shift will not help. F/5.6 seems like the general sweet spot where many lenses are sharpest. You also know the performance will not be diffraction limited, because that limit is f/7.1.
Are you surprised / in doubt this lens resolves the 100 sensor?
And zero information or opinion regarding ease of assessing critical focus with this lens.
the price of 80mm f/2, what do you think?😮
Woof so pricey but such a great lens.
I was wondering if you tested the much talked about Tamron 35mm 1.8 on the GFX?
Nice. Have you seen Nikon 85mm 1.4/G lens mod to GFX mount? It also supports AF and other electronic communications.
This lens is an absolute bargain..!! I had it on my 6d for years was almost never left the camera. It is almost the perfect lens. It is sharp. It is bright. It is stupidly cheap. It is small and make the whole setup look much less professional when do street photography. Extreme light, like there is no new in the camera. I have made some of my best shots with it..
Great video! I was looking exactly at this combo for my gfx 100 II. Are there any other 'faster' lenses that are comparable to this one, that you can recommend?
All my minolta and m42 lenses are cheaper, faster,have aperture ring and character plus the adapters are $35.00
how do they adapt to the GFX sensor? is there any extreme vignetting or loss of sharpness around the corners etc?
Thanks for all of this, I've got alot of medium format lenses and going to get a gfx body soon.
What about the Tamron 45mm 1.8? It has a very wide open aperture and the image circle covers the sensor very well.
I was wondering the same.. any news on this? :)
@@HealingMushroom It works great with the Viltrox adapter, with the newest update even the vibration control works fine. Image quality wide open is exelent, exept the far corners, there ist a little drop down in resolution. The longitudinal CAs are lower pronounced, than with fullframe. The only downside is, that the Tamron doesn't look so good on the Gfx, if this is important.
I lucked out and picked up one of these as my first vintage lens. I use it on my 60 mp full frame sigma FPL, and I love it. I think an APSC sensor under utilizes it, and the medium format is asking it to do more than it was designed for. I assume the GFX has a crop mode which makes it act like a full frame? The optical vignetting causing the very busy bokeh around the edges of the medium format sensor are not an issue with the full frame sensor.
You've probably already reviewed it but I love my OG version one Canon 25-105 f/4 on the GFX.
How does it perform through the focal range? If you don’t mind me asking? I have the version 2 and just picked up a used gfx100, but I’m trying to decide if it’s worth it to get the EF fringer adapter.
@@TheJ_G There is heavy vignetting up until between 50-70 and there is vignetting all the way through to 105. Because of the 50 mega pickle sensor I just crop the image so the vignetting doesn't show.
@@TheJ_G I'm using the kippon adapter not the finger, but I think the vignetting is the lens, not the adaptor because my EF 16-35 doesn't vignette until you go below 20mm.
@@CryptoJonesThanks for the response! This is exactly what I was trying to figure out. Much appreciated.
Best video of the century. I’ve been shooting Fuji for six years and now use the XE4. I constantly think about upgrading to full frame or GFX 50 R. I love the XE4 size and only use the f2 primes. I would keep doing these type of videos. I think they would eventually get popular.
Very interesting test, sir! As a Nikon Z System landscape, wildlife and small product photographer, I am currently evaluating MF systems such as the Fuji GFX 100 ll, and the Fujinon lenses. I would have liked to see a side-by-side image taken with both the Zeiss and the Fujinon GF equivalent lens, but how would you compare the central sharpness between them? Thank you!
I got one from KEH based on this video. Thank you for making this video. You earned a sub from me!! I payed $119 (USD) for Excellent Condition on 2023-01-30.
You got awesome, great quality videos!! Please make more if these and consider patreon! ☝️💥💪❤️
Thank you for the great, and very helpful, review! I already have the Steelsring II adapter, which I purchased some time ago at the same time that I purchased the 120mm ƒ4.0 makro. I have been wanting to get the 80mm for a long time, but it seemed that all the nice ones were over $3,000; too much for me. Your Target Price made me feel much better about the one I purchased today on eBay. I found an 80mm in near mint condition for $2,138, delivered, from a store in Japan. I think it's the same store that I got the 120mm from. But anyway, I know I have purchased from them before. I had the GF110mm for a while, but I found that I rarely used it. It was too heavy to carry around, and it made an annoying noise all the time. I think it had something to do with the AF motor constantly checking on things.
For anyone adapting vintage glass to the GFX there is a list available online of tons of old glass and whether or not it covers the GFX sensor (its community maintained although im not sure if its still being updated). Even on glass that does not cover the whole sensor it can still be used in the GFX 35mm crop mode, although there are some surprising entrees on that list (i picked up a 28mm f2 nikon lens and a 300mm f4.5 minolta that both cover the entire sensor with some vignette wide open). Whether youre looking for something wide or tele, heck i think theres even a couple of zooms that work, the list probably has something youre looking for and has been a great resource for me.
Some glass I use is Yashica 50mm f1.7 Yashica 135mm f2.8 Minolta 58mm f1.4 Minolta 300mm f4.5 Nikon 28mm f2 All of these image quite well on the GFX (with some vignette and smearing) with the 58 Minolta and 135 Yashica being optically the sharpest. Definitely a more busy and vintage style bokeh but on relatively small form factors compared to medium format or native GFX lenses (which is the real reason why I chose to adapt in the first place)
How do you like the 28 Nikon on the gfx?
@@BelowKelvin its actually surprisingly good, I've used it quite a bit so far but only indoors. It covers the whole sensor with pretty minimal vignette and distortion, although like most adapted ff lenses the distortion is at its worst wide open. But having such a wide lens that is for me plenty sharp (no where near clinical) and pretty bright at f2 is basically unbeatable for the price (I think I picked it up at around 150 with the adapter). Most of the time the issues with smearing, vignette and distortion start to improve at around f4 and by the time you get to f8-f11 it's almost completely gone.
Care to share the url?
did u not use the 35mm crop mode in the gfx?
I used one of these until I got the GF 50mm f/3.5 for $350. Essentially the same experience.
Dear Heritagefocus team firstly I want to say that finally I found a place where people do real, fast, simply and accurate tests of lenses, great job! I am standing before buying GFX system but also I want to invest in some vintage 645 lenses, cuz also I am going to leave my 67 format and go to 645. I can't decide mamiya .vs pentax. Have you tested, or are you plannig to do some of mamiya ~75, ~55 shoots? Also it's really hard to find pictures made with that KIPON adapter with 0.8 lens inside. Its pretty expensive but maybe is it worth to pay and get that full medium format look/ deph of field/ 100% usage of lens. Thanks for any help! Best from Poland Marek
Why would you get the Canon version with no aperture ring???????🤦♂️
Thanks for watching! I have Canon cameras, and the Fringer adapter has an aperture ring. No reason not to get the Canon version.
Overall not a great lens I think. There are plenty of good alternatives out there which are much much better imo
Had good laugh on the food references, my buddy and I relate costs of lenses to how many McChickens it is!
Dumb question, hope someone can help. I'm looking to purchase the gfx 50r and love it for the 65:24 panorama (closest I'll get to xpan). Does anyone know if i can still shoot 65:24 with Minolta lenses?
Yes, you can shoot 65:24 with no lens if you wish.. Any lens should work with any ratio.. it may not work *well*, but it will take the picture! :)
@@HeritageFocus Thank you for replying. Appreciate it
To be clear the 65:24 aspect ratio gives you a wide center crop on the GFX sensor. You're basically cutting off most of what the sensor would image to get a crop like that. These old adapted lenses would be doing pretty well as these old full frame lenses do struggle with vignette and smearing toward the edges of the frame at lower f-stops on the GFX sensor. At these lower f-stops shooting with a slight or major crop is actually incredibly beneficial
@@poobs2361Thanks and yeah, I'm seeing that first hand now that I have the camera and the lenses. I've had a chance to test both the MC 35mm f2.8 and the MC 50mm f1.7. The latter is much much better with the DOF consistency. It's not just that it's a wider aperture, but with the 35mm, I'm seeing inconsistency in DOF across apertures. Maybe I landed a lemon. But overall, I'm thoroughly satisfied with the camera and FF lenses. Even tried an E49 28mm Leica 2.8 lens. Not an absolutely hard vignette but it is strong. Definitely usable with 65:24.
This lens looks great, I kinda want it. Just need an adapter first. The only adapted lens I have (that I use) is the Canon FD 135mm 2.8, which I use on my crop sensor fujis. It’s pretty good, even wide open on the new 40mp sensor.
Hello, Thanks for the video. I bought a version of this lens (the A) to use with Fuji GFX 50R for scanning negatives. I have a Fotodiox adapter. The f-stop ring moves, but I am not seeing the diaphragm/aperture change. I moved the switch from A to M and still no movement of the diaphragm. Am I doing something wrong? Or is this lens damaged? I do have the 80mm macro and that seems to work fine on my setup. I thought this would be the same. Thanks.
@1:51 giant fingerprint on rear element
Yes.. I know.. can't do much about it at this point. :) Thanks for watching though!
Thank you a lot ! Excellent video. As owner of gfx 50s and gfx 100, I really want get it to pair with my Fringer adapter. It’s a little sad you didn’t tried video mode to see how is the framing , because it’s smaller than shooting mode, and af in video mode. Do you think it has a good enough AF? I’m looking to film some interior interviews, I hope it’s wide enough but I guess something between 20-35mm would be better for interior videos .
Thanks for watching! I never planned to use it for video (I do all my video on the X-S20 and X-T3), so have never actually tried! Would be interested to hear how it goes. It is a bit old, but the STM AF motor was designed specifically for Canon's earlier live view cameras and keep up with the video feed, so it's very possible. Good luck!
On the Fringer and Techart adapters, is the focus ring correctly disabled when the lens's AF switch is set to AF? It remains enabled on the Viltrox adapter, and if you manually focus this way, the lens fails to autofocus correctly from then on until you restart the camera.
I guess so . I have canon 85mm 1.2 L and on Fringer adapter if you switch AF to off mode on the lens , there is no AF. Should be same on 40mm 2.8 And Fringer adapter is the best for gfx. You should pick that. Don’t take Techart , it’s so bad. I’ve had and Fringer is lightning fast compared to Techart
Mamiya 150mm f/ 2.8 and 210mm f/4 it is better...