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@@ST.150 oh wow! Couldn't be happier then!!

​@@Neurotypique C'est super!

@@niilo2852 I didn't put the music in the last one please don't be intimidated!!

@@mainframesys yeeees it's hard to find the time these days!

@@Neurotypique Yeah man I know that all too well :(

thank you so much! have a good morning!

@@Schizomaniac merci a toi!

@@Neurotypique )))

@@JBroadway thank you for checking it out!

Tu vois comment on a remplacé le pulse avec un replace CHOP? Tu peux faire la même chose avec note dans le même CHOP! Il suffit de créer un constant avec le bon nom, mettra la valeur voulue, par exemple 50, et remplacer le channel correspondant avec un replace CHOP comme on a fait pour le pulse!

Merci pour le retour!!

Thanks a lot!! Can't wait to build on this and share the exciting things I've been researching!

@@Neurotypique great , good job .... This tutorial was inspiring to me✌️

@@arshinazizi awesome, I couldn't wish for more! Thanks a lot for the feedback 🙏🙏

My pleasure!!

🌜🤜🤛🌛

hey! exactly, the quad drum voice is just reading waves stored as samples in a folder! it's kind of a separate mode because here the waves are really short in time so they play indefinitely contrary to the usual samples that play in one shot.

Well the good news is you're not late but perfectly in time for firmware 2.0, in which the generative possibilities are just endless compared to this little hack :)

@@Neurotypique Yeah I saw that 2.0 just came out! I would be super interested in seeing you do another generative video with the Nerdseq using some of the new capabilities. I'm still working my way through the new manual 😬

@@SoundStricker awesome, the manual is such a valuable resource! Well I'll try to fully wrap my head around it and post something!

Fun fact when I played it live my first word afterward was to apologise for my grandpa's earing aid in the audience 🥲

Thanks a lot!!

Definitely, this was from some time ago and I have definitely come a long way with it since. It's still a staple in my system and my last liveset is entirely centered around it. It's really necessary to read the manual and dive back to it every now and then if you really want to get the most of it. I don't know about you but I would really love to be able to modulate WARP and presets via CV (saved spectra would be cool too but definitely not the feature I want the most). It's funny enough you mentioned Odessa cause that's exactly what I'm using it for these days, panharmonium is unapologetically digital and doing an incredible job at those textures.

@@Neurotypique I thought about making a cheat sheet so people wouldn't just buy it and neglect it which is horrific.... but my own approach would be a driving factor and I dont want to impose that perspective on others..I mention Odessa because of the overt FFT techniques... I actually use two... and tend to focus on the slicing and think of the input as like either a processing wavetable or as opposed to a resynthesis engine... warp is absolutely important.... the way I tend to do things is write a song and record it in long stems that need very little work.... to avoid the garbage in element I have some extremely dense constructions.... so running through sampling each bit is a pain but it can also result in happy accidents.....so on some of the things I do I use two panharmoniums with the same philosophy but I will change the one to hanning and leave the alone to some extent and still clock the slices on both one with higher frequencies as let's say upper midrange frequencies and the other as a driving low mid percussive element..using the pulsar23 as a main drumsource on one side....great advice I forgot If you don't already know to change the glassy metallic element of spectral modules use a wavefolder afterword in your chain .... it is another route for more dynamic modulation and seems to work for FM and spectral modules. I threw as many varied techniques in here to attempt to help you on the same journey I'm on. 😀 I'm very open and into sound design without secret formulas

@@corticallarvae panharmonium is really overlooked by some people and I can see how you can buy it and feel underwhelmed if you didn't put the hours learning it through and through. Thanks for sharing those tips :)

Thank you very much! Well my take on jams is I jam for 2 or 3 hours and shoot one of these videos that are more of a jam "rendition". I use a tracker as my sequencer, which limits the amount of sequencing I can improvise, but I play with launching sequences, muting, unmuting, tweaking parameters by feeling :)

Mon monduleur sintétike!!

Thank you Max! We always end up making things together that neither of us would do separately and that's fun for us as well :D

Thanks 😁

Thank you very much!!

Thanks a lot!!

Thank you very much! It's a really unique take on a sample player, I love the immediacy of it!

Merci ça me fais grave plaisir!! :)

Thanks! There is a lead, a bass, another small lead that does the repeated notes, the organ/keys kinda thing for the chords, kick, clap, hats, percussions from the old drum machine :)

C'était bien chill de laisser tourner ça le soir!

Oh tgank you so much! I had the first half and struggled to find a fitting résolutions, I'm glad it hit home!

C'est la salle de concert du Château Éphémère super chouette endroit!

Merci je suis en train de retravailler mon système, je change un peu l'anatomie de mon modulaire pour me concentrer sur ce genre de travail pour la suite :)

@@Neurotypique cool mon ami

Hey thanks a lot!

Merci beaucoup!

Biensur! Je sais pas si je l'utilise ici mais Victor a aussi son QD il l'avait peut être mis!

Merci ça me fais super plaisir! J'ai adapté une version de ça pour la jouer en live samedi prochain!

@@Neurotypique j'y serai!

Thank you! Polyend preset + harmonaig is a very cool combo to explore nice chords and chord progressions!

Aaaah trop cool que ça te plaise!