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doubletrack recording, gate/denoiser if the recordings need cleaning, EQ to shelf out the lows and notch out annoying resonant bits, MAutopitch for formant shifting and autotuning, like 3-7% Renoise stock distortion (razor/shaper depending on which one sounds better to me at the time), waves CLA vocals for easy compression/delay/pitch modulation, and finally Fresh Air to bring out the presence (especially if denoising ate into it)

I don't really know, lol. I guess it's close enough to breakcore? sometimes I like to call it "rainforest" because it's not quite jungle but I don't know what the difference is, but that sounds kind of corny

​@@kalibration holup i got you bro search up: orbcore/bye2 for some good shit. also i think you can callit "CHIPBREAKS!"

yes, you write a .it module that follows the SPC restrictions and then convert it to SPC using SNESMOD, but now that Furnace tracker has SPC support, it's a lot easier to use Furnace

yeah i only noticed that once I had already uploaded it lol, oh well. and yep winamp forever I don't use basically any VSTis for drum sounds when i'm making electronic music, I know a lot of people like NI Battery or FL Studio's Slicex but Renoise's built-in sampler is just my favorite by a long shot. people also seem to be enjoying "Amigo" lately, a sampler/slicer VSTi that emulates the commodore amiga soundchip's low-samplerate crunch. which is cool, but kind of redundant for me since I can just use ProTracker for that same sound basically right from the source, or just put renoise's built-in LoFiMat over a track for the same result. as far as mixing/effect VSTs for drums go, I mainly just use st4b but any transient shaper will work, and when I'm too lazy to spam the effect commands and other edits I've been playing a bit with Image-Line "Gross Beat" for stutters, fills and stuff. it's not as authentic as manually tracking that stuff in but it sounds nearly as good (as long as you use it sparingly and don't repeat patterns too much). as far as VSTi synthesizers for leads/pads/bass, i really like Sylenth1, Vital, Serum, and have gotten super into Phase Plant lately. when it comes to synths, i think the best one is just the one you like using the most. they can all do basically the same stuff, especially when you factor in external VSTs for effects, the process is just different depending on which synth you use. I haven't had a drumset since like 2011, though I did do concert/marching band in school and played in a few garage bands. I do still get a lot of rhythmic inspiration from just finger-drumming on my desk or translating rudiments/drum beats into breaks but i generally don't record stuff besides vocals. and as far as what breaks I try to use, the main thing I'm almost always looking for is ghost notes. you can get a classic jungle sound out of basically any sample with snare ghost notes. i also try to avoid ones with a lot of ride/crash cymbal, since those don't tend to slice up very cleanly and you have to be a lot more deliberate when using them to avoid having mismatched cymbal tails make it sound wonky. though at the same time i'm sure you could use that same "problem" on purpose for a cool and unique sound. hope this helps!

yep

bottom of the edit tab, the 3 blocks with an arrow. it's to the right of the big Q and to the left of the vol/pan/dly/fx buttons. alternatively you can set your skip amount by pressing ctrl+(number) using the number keys at the top of your keyboard (not the numpad)

@@kalibration omg thank you i've been waiting for a respond, tyvm

Do it