- Видео 124
- Просмотров 41 626
Ami Maayani - Composer, Conductor, Educator
Добавлен 24 май 2014
For purchase of music scores by A. Maayani:
www.boosey.com/pages/cr/composer/composer_main.asp?composerid=18629
For purchase of CD's by A. Maayani:
sivzel@gmail.com
For information in regards to the music please contact A. Maayani directly at:
maayani@bezeqint.net
(+972) 3 6047962
www.boosey.com/pages/cr/composer/composer_main.asp?composerid=18629
For purchase of CD's by A. Maayani:
sivzel@gmail.com
For information in regards to the music please contact A. Maayani directly at:
maayani@bezeqint.net
(+972) 3 6047962
A. Maayani - "Sinfonietta" on Popular Hebraic Themes (Symphony No.4)
The Israel Sinfonietta Beer Sheva
Mendi Rodan - Conductor
1. Slow - 2. Variations - 3. Scherzo - 4. Finale
Mendi Rodan - Conductor
1. Slow - 2. Variations - 3. Scherzo - 4. Finale
Просмотров: 736
Видео
A. Maayani - Concerto Symphonique pour Harpe et Orchestre (1966)
Просмотров 1,3 тыс.10 лет назад
Florence Sitruk - Harp The Heidelberg Philharmonic Orchestra Romely Pfund - Concductor 1. Lent, Modéré et Large - 2. Assez Lent - 3. Vif Cover art - Esprit Méditerranéen by Harold Rubin (2003)
A. Maayani - Concerto pour Octour - Concerto Méditerranéen (1963)
Просмотров 21010 лет назад
Marcelo Erlich - Flute Dima Malkin - Oboe d'amore Elad Avakrat - Bass Clarinet Naama Golan - Trumpet Amos Boazson - Viola Eyal Ganor - Double Bass Gitit Alpert Boazson - Harp Yizhar Kershon - Harpsichord Israel Sharon - Conductor 1. Assez Lent - 2. Vite et vif - 3. Lent, en Allant, Vif Cover art - Esprit Méditerranéen by Harold Rubin (2003)
A. Maayani - Trois Préludes pour Quatour ou Ensemble a Percussions
Просмотров 11010 лет назад
The SRI Academy of Music Percussion Ensemble Gil Shohat - Piano Alon Bor - Conductor 1. Carillon - Vite, Modéré, Vite - 2. Danse - Vite et vif - 3. Pavane - Grave
A. Maayani - Concerto pour Percussions et Deux Pianos
Просмотров 15310 лет назад
Chen Zimbalista - Percussion Orit wolf & Josef Reshef - Piano 1. Lent - 2. Scherzo - Vite et vif, Modéré, Vite et vif - 3. Cadence - Lent
A. Maayani - Deux Imporomptus pour Piano
Просмотров 16810 лет назад
Orit Wolf - Piano 1. Allegro vivo, Lento, Allegro - 2. ♪ = 80-82
A. Maayani - Avant Propos - Deux Préludes pour Piano
Просмотров 16310 лет назад
Aviram Reichert - Piano 1. Allegro - 2. ♪ = 140
A. Maayani - Sonatine en Trio pour Violon, Violoncelle et Piano
Просмотров 9210 лет назад
Bing Jing Yu - Violon Natalia Khoma - Violoncelle Orit Wolf - Piano 1. Lent et très calme - 2. Vite et vif - 3. Modéré
A. Maayani - Sonatine pour Guitare
Просмотров 31010 лет назад
Tali Roth - Guitar 1. Méditation - 2. Vite et énergique - 3. Modéré - 4. Très vite
A. Maayani - Sonate pour Violoncelle Seul
Просмотров 16010 лет назад
Natalia Khoma - Violoncelle 1. Lent - 2. Énergique - 3. Andante - 4. Très vite
A. Maayani - Sonate pour Violon Seul
Просмотров 10810 лет назад
Bing Jing Yu - Violin 1. Modéré - 2. Vite - 3. Lent - 4. Vite et vif
A. Maayani - 'Je léve la main vers Yahweh' by Ibn-Ezra
Просмотров 21710 лет назад
Ira Barski - Mezzo Soprano Ruth Maayani - Harp
A. Maayani 'Ligne par ligne' by Ibn-Ezra
Просмотров 7410 лет назад
Ira Barski - Mezzo Soprano Ruth Maayani - Harp
A. Maayani - 'En vain la terre rev t-elle ses ornements' by Ibn-Ezra
Просмотров 5410 лет назад
David Sebba - Baritone Ruth Maayani - Harp
A. Maayani - 'La terre est une femme volage' by Ibn-Ezra
Просмотров 6710 лет назад
A. Maayani - 'La terre est une femme volage' by Ibn-Ezra
A. Maayani - 'Chant d'amour' by Ha-Nagid
Просмотров 8910 лет назад
A. Maayani - 'Chant d'amour' by Ha-Nagid
A. Maayani - 'Invitation á une beuverie' by Ha-Nagid
Просмотров 4710 лет назад
A. Maayani - 'Invitation á une beuverie' by Ha-Nagid
A. Maayani - 'Those Beauteous Maids' by Ibn-Ezra
Просмотров 5210 лет назад
A. Maayani - 'Those Beauteous Maids' by Ibn-Ezra
A. Maayani - 'When She Plays Upon the Harp or Lute' by Ibn-Ezra
Просмотров 10710 лет назад
A. Maayani - 'When She Plays Upon the Harp or Lute' by Ibn-Ezra
A. Maayani - 'Beautiful is the Loved One' by Ibn-Ezra
Просмотров 7410 лет назад
A. Maayani - 'Beautiful is the Loved One' by Ibn-Ezra
A. Maayani - 'Why Should I Grieve?' by Ibn-Ezra
Просмотров 5810 лет назад
A. Maayani - 'Why Should I Grieve?' by Ibn-Ezra
A. Maayani - 'The Hot Flame of my Grief' by Ibn-Ezra
Просмотров 5610 лет назад
A. Maayani - 'The Hot Flame of my Grief' by Ibn-Ezra
A. Maayani - 'The Splendor of Thine Eyes' by Ibn-Ezra
Просмотров 5510 лет назад
A. Maayani - 'The Splendor of Thine Eyes' by Ibn-Ezra
A. Maayani - 'Bring Me the Cup' by Ibn-Ezra
Просмотров 3510 лет назад
A. Maayani - 'Bring Me the Cup' by Ibn-Ezra
A. Maayani - 'The Rosy Days are Numbered' by Ibn-Ezra
Просмотров 4010 лет назад
A. Maayani - 'The Rosy Days are Numbered' by Ibn-Ezra
A. Maayani - 'Awake, my Soul' by Ibn-Ezra
Просмотров 4110 лет назад
A. Maayani - 'Awake, my Soul' by Ibn-Ezra
A. Maayani - 'Drink, Friends' by Ibn-Ezra
Просмотров 4010 лет назад
A. Maayani - 'Drink, Friends' by Ibn-Ezra
A. Maayani - ' O Son of Man' by Unknown
Просмотров 2310 лет назад
A. Maayani - ' O Son of Man' by Unknown
When the toilet seat's warm but there's no one else in the house:
מדהים! שבועות שמח
I am thinking if you play most of a piece like this, and then end in a section starting on the 6th, it would be weird but super relieving since it would then sound like mixolydian all of a sudden.
If somebody tells me "Composing in Locrian does not make sense", it is the same like saying. "Commucation in a OVS (Bbject-Verb-Subject) language is impossible". Although there are very few languages with this word order, communication is still people. Locrian music is still melodic, but the home chord is unstable, that is it.
A very well-crafted, long concerto, if a little over-reliant on a limited set of ideas.
I once had the opportunity to play this and passed on it. Now, I know I should have. I don't think any recording was available to help.
I like this very much.
I love Maayani, or want to, but where he goes with his music is just not pleasing enough.
1:50
Loved the Bartokian style piano writing, the toccata-like opening movement is fascinating. Slow movement is so dark it's almost pitch black, and contains some interesting orchestral effects that work well. Frenzied finale that brings the piece to a glittering conclusion. Great concerto.
I love this
I subscribed to your channel man!
This almost reminds me of the opening music from Fahrenheit 9/11.
This is the tune that plays when you're expecting the worst heatwave in history.
Beautiful exploration of this intriguing mode, "Fantasy No.7 in Locrian Mode"!
Lacrian Mode sounds like a "super major".
The consistency of his musical language in solo instrumental pieces is, at times, overly restrictive, and at times delightful, as in this piece.
This is enjoyable. Too bad it's so hard (expensive) to get string players.
Everything he writes sounds like Maayani. Not much variety.
Isn't it a good thing to sound unique?
A re-working of the solo Maqamat, as is the Arabesque for flute and harp.
wena
This is beautiful, it should be used more
"Sound and Fury."
This was first recorded by Grace Wong. Please upload that recording.
It is the best.
Please upload Grace Wong's recording of the First Sonata, if you haven't already.
Beautifully done, convincing, better than Beethoven would have done it.
I like it
Is there any way to get the score for this?
bautifull work <3
Brilliant. Subscribed. Is this completely in locrian??
Not all of it, but a lot of it.
I notice Locrian as more of a component in pieces that require the tonic or home chord to be something that's not diminished. A diminished chord can never feel like home plate. However, Bjork figured how to achieve a #10 hit in the UK with Army of Me back in '1995. Great song.... totally works and it was popular with people who have no concept of Locrian.
Chicago Touch Know any home keys that aren’t diminished?
that song isnt fully in locrian, the verses of army of me are but the perfect 5th occurs in the choruses, but it is the most popular song to USE the locrian mode (i think)
Some modes like pentatonic are overused. The lydian mode feels like unexplored territory in comparison!
wonderful music
it would be interesting to look at how often locrian and phrygian modes are used in the horror and thriller genres of movie score.
I was thinking something along the same lines. Could be great detective music, too.
@@ippo4502 For detective music,they use a lot of minmaj7 chords,and those aren't present on normal phrygyan or locrian.
@@Bronze_Age_Sea_Person I'm thinking more along the lines of a horror/detective show. Either way, music doesn't necessarily *have* to be bound by exacts. If a piece evokes a feeling of uncertainty and obscurity, then I think it's appropriate for detective stuff.
@@Bronze_Age_Sea_Person I think Lalo Schiffrin's funky detective soundtracks have had a lot of influence on that convention!
Nice, so dark!
0:00 1. Modéré 1:21 2. Modéré 2:39 3. Vif 3:59 4. Modéré 6:23 5. Variations
Love his voice!
Nicely done! I like the composition and the performance. I definitely hear the shostakovich influence, there. All the best qualities of the Locrian mode...a delicate, slightly unhinged feel, on into rage and madness! And then a final, utter lack of real resolution. Well done.
The original, the best performance.
Veröffentlicht am 31.05.2014 Edna Prochnik - Mezzo-soprano The Odessa Philharmonic Orchestra 1. Aroiskukn 2. Dorscht 3. A Nimfe 4. Meschugaass 5. Malkas Halaila
Great piece. I have past the last two weeks trying to compose something in locrian mode. Every thing I get when i use this mode in my compositions are fast and violent melodies with some similitude with Bartok´s tzortziko.
Handle the flat 5 with care... you can make something phrygian sounding and introduce the 5 as a new, suprising flavour.
When I compose with locrian,I tend to use lots of arpeggios,ostinatos and quartal chords,even my root is a quartal,since it's more stable than the diminished one.After all,locrian is made of stacked quartals,why not use quartal harmony?
When I improvise in locrian I like to avoid the 6th degree, so I’m effectively playing in a 6 note scale. This way it harder for the second degree to establish itself as the tonic, turning it into Ionian or major. It also sounds kinda cool not having it there. I too am trying to compose a song in locrian, rather than just improvising. I’m even training my ear to hear diminished chords as tonics, even though it’s supposed to be impossible.
@@Bronze_Age_Sea_Person you really got the point, locrian mode and quartal chords are a perfect combination
Thank you, Naoko Yoshino and Ami Maayani, for this wonderful music!
Thanks for sharing this. Locrian is similar to a Persian mode named dashty.
Many thanks for transcribing this masterpiece for harp trio and posting this recording !!!
Fantastic, both the composition and the performance.
Magnetic and excellent, thanks. Greeti8ngs from East Anglia in England.