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I absolutely love this.

Exceptionally good..atmospheric.

proto-Autechre Adventure Time

I studied Renaissance counterpoint with Michael Czajkowski at Juilliard in 1973-74. He was an inspired teacher. Regularly wore dapper, doubled-breasted suits to class.

thanks Dom. 🎉

what a bullshit is this

I know that rumor has it that only 20 copies of Greek Electronic Music Vol 1 were sold and the rest were destroyed. But is it really so ? Look at the Discogs platform for it.

7:08

Are Head and Numbers actually different in any way?

20:15

❤

I have also loved this album for years ❤

It''s not his first record, though. Although the original "Party" record (1953) is impossible to find at all. It doesn't really matter, though: it's a pretty unsignificant work of musique concrete by a student. I bought ten copies of this 1975 album from Proprius at original list price sometime around 1990 to keep two for myself and give the rest to friends. "Predestination" is the best electroacoustic album to come out of Sweden and in terms of raw expression and magic it puts all of the masters of the Düsseldorf school to shame. It's Lindblad's absolute prime.

santo que hermoso

I already knew Labat from his involvement on the first Utopia album and the 1973 album he did on Bearsville. I never realized he released any more albums after he left Utopia.

one of the greatest compilations in this "genre" i've heard

Fascinating and mysterious sounds and thoughts. Love it!

Tell me more about this... I'm amazed! Leave me some informations & if you like,contact me. Im a fan of electronic rock music & experimental sounds. I was doing similar work with my Korg Poli Six,my Yamaha PRT 1000 and some effects years ago. Nice to know that there are other musicians that dont do it for money. Its all about the world of sounds,isnt it? Cool video...hell of a work i guess!🧔🏼😎😊🎉😂❤🤗

amazing.

iconic piece

Wow, merci!

Speechless ! !!

Rest in peace Harry Gilbert Trythall Jr.

very nice. these closely miked mouth noises (is he using a gasmask?) sounds like something aaron dilloway would do

I bought this back when it came out and still have it.

muy bueno

I was fortunate enough to study composition and, later, the Moog synth with William Hoskins in that same Jacksonville University Fine Arta Electronic Music Studio beginning in 1979 when he kindly helped me fix the construction of the awful cello concerto I timidly showed him. He later gave me an autographed copy of this very LP when it came out along with a kind dedication and memento of our sessions together. I listened to it for years afterward and then finally found it on CD from Mimaroglu Music. As a result of my association with Hoskins, I was also lucky enough to Meet Bob Moog and his family when Bob came through in 1980 to perform one of his periodic synth inspection/consultations with Professor Hoskins who, himself, was *incandescently brilliant* and humorous and knowledgeable to an amazing degree about an astounding variety of subject areas besides music - and he was in fact a fine composer. William Hoskins was also very much a DIY sort of fellow. The JU EM studio (as we called it) was tricked out with all manner of objects and devices that Hoskins had built himself to facilitate the student's work in the studio. From custom-made plywood patch cord trees on mike stands, to tons of patch cords he made himself, to his own home-made ribbon controller and telegraph key. I think he also built his own mixer. The EM Studio at the time was further equipped with a 4-track, a 2-track, and a mono Ampeg tape deck that we often used for making tape loops. The EM studio also had an Elka string synth, a MiniMoog, some excellent Klipsch speakers, and a rickety old upright piano crammed in the corner by the few student desks which could manage to also fit in that cramped corner studio space upstairs in the Fine Arts building at JU. Hoskins also had an even larger studio and Modular Moog synth installed at his house as well - and that's where this recording was made. His knowledge of synthesis in general and the Modular Moog synthesizer in particular was Galactic. In a lesson I once saw him set up a really complicated patch on the Moog and then when he hit the home-made keyboard and didn't hear *precisely* what he expected to hear, he ran his eyes over the patch real quick making sure that the levels were correct and such, then he squeezed into the very cramped space behind the synth and pulled out a specific board and peerer carefully at it. He said, "Just as I thought, got a few smoked components there. I wonder when *that* happened. I'll have to replace it". Then he re-routed the patch around the bad component and got the sound he was after in short order. You can also get a good idea of him from his lively response to an article in the Journal Of Music Theory from 1959: libgen.li/ads.php?md5=3da4bbcb8209d51ddd0a0e7c471f6716&downloadname=10.2307/843006 I admired William Hoskins very much, and I will always appreciate his frightfully vast knowledge of the world in and around music, and his kindness in freely sharing it with me.

This should required listening in every high-school music room across Aotearoa. Thank you so much for digging out and uploading!

Wild flip!

Great !!!

Discogs says that William Burroughs wrote liner notes for this. Can anyone confirm this and - ideally - point me toward a text somewhere online?

"Intensidad y Altura" (1964) del peruano César Bolaños, "Un-X-2" (1971) del brasileño José María Neves, "Parca" (1974) del argentino Oscar Bazán, y "La panadería" (1970) del argentino Eduardo Kusnir. La pieza de Bolaños y la de Kusnir fueron compuestas en el laboratorio del CLAEM-ITDT en Buenos Aires. La pieza de Bazán fue compuesta en el CICMAT (Bs As.). La pieza de Neves fue compuesta en el Centre Culturel Américain (París).

It would be good to identify the pieces.

Amazing!

What would be even more great if we ever got studio footage. Cuz im too immersed in it to believe humans made this lol. But obviously thats the mystery in great music , sometimes all you can do is listen

This is very cool

Yoooooooooooo

The titles on this clip are... * 1: "Cosmic Sounds N° 1" @ 0:00. - Artist: Georges Teperino. * 2: "Cosmic Sounds N° 2" @ 3. - Artist: Georges Teperino. * 3: "Cosmic Sounds N° 3" @. - Artist: Georges Teperino. * 4: "Cosmic Sounds N° 4" @. - Artist: Georges Teperino. * 5: "Cosmic Sounds N° 5" @. - Artist: Georges Teperino. * 6: "Cosmic Sounds N° 6" @. - Artist: Georges Teperino. * 7: "Electro Sounds N° 1" @. - Artist: Cecil Leuter. * 8: "Electro Sounds N° 2" @. - Artist: Cecil Leuter. * 9: "Electro Sounds N° 3" @. - Artist: Cecil Leuter. * 10: "Electro Sounds N° 4" @. - Artist: Cecil Leuter. * 11: "Electro Sounds N° 5" @. - Artist: Cecil Leuter. * 12: "Electro Sounds N° 6" @. - Artist: Cecil Leuter. * 13: "Electro Sounds N° 7" @. - Artist: Cecil Leuter. * 14: "Electro Sounds N° 8" @. - Artist: Cecil Leuter. * 15: "Weird Sounds N° 1" @. - Artist: Georges Teperino. * 16: "Weird Sounds N° 2" @. - Artist: Georges Teperino. * 17: "Weird Sounds N° 3" @. - Artist: Georges Teperino. * 18: "Weird Sounds N° 4" @. - Artist: Georges Teperino. * 19: "Weird Sounds N° 5" @. - Artist: Georges Teperino. * 20: "Weird Sounds N° 6" @. - Artist: Georges Teperino. * 21: "Weird Sounds N° 7" @. - Artist: Georges Teperino. * 22: "Crazy Sounds N° 1" @. - Artist: Cecil Leuter. * 23: "Crazy Sounds N° 2" @. - Artist: Cecil Leuter. * 24: "Crazy Sounds N° 3" @. - Artist: Cecil Leuter. * 25: "Crazy Sounds N° 4" @. - Artist: Cecil Leuter. * 26: "Crazy Sounds N° 5" @. - Artist: Cecil Leuter. * 27: "Crazy Sounds N° 6" @. - Artist: Cecil Leuter. * 28: "Crazy Sounds N° 7" @. - Artist: Cecil Leuter.. * 29: "Video-Tronics N° 1" @. - Artist: Cecil Leuter. * 30: "Video-Tronics N° 2" @. - Artist: Cecil Leuter. * 31: "Video-Tronics N° 3" @. - Artist: Cecil Leuter. * 32: "Video-Tronics N° 4" @. - Artist: Cecil Leuter. * 33: "Video-Tronics N° 5" @. - Artist: Cecil Leuter. * 34: "Video-Tronics N° 6" @. - Artist: Cecil Leuter. * 35: "Video-Tronics N° 7" @. - Artist: Cecil Leuter. * 36: "Hi-Tronics N° 1" @. - Artist: Georges Teperino. * 37: "Hi-Tronics N° 2" @. - Artist: Georges Teperino. * 38: "Hi-Tronics N° 3" @. - Artist: Georges Teperino. * 39: "Hi-Tronics N° 4" @. - Artist: Georges Teperino. * 40: "Hi-Tronics N° 5" @. - Artist: Georges Teperino. * : "Hi-Tronics N° 6" @. - Artist: Georges Teperino. * : "Hi-Tronics N° 7" @. - Artist: Georges Teperino. * : "Electro Theme N° 1" @. - Artist: Cecil Leuter. * : "Electro Theme N° 2" @. - Artist: Cecil Leuter. * : "Electro Theme N° 3" @. - Artist: Cecil Leuter. * : "Electro Theme N° 4" @. - Artist: Cecil Leuter. * : "Electro Theme N° 5" @. - Artist: Cecil Leuter. * : "Electro Theme N° 6" @. - Artist: Cecil Leuter. * : "Electro Theme N° 7" @. - Artist: Cecil Leuter. * 50: "Electro Theme N° 8" @. - Artist: Cecil Leuter. * : "Electrosonics N° 1" @. - Artist: Georges Teperino. * : "Electrosonics N° 2" @. - Artist: Georges Teperino. * : "Electrosonics N° 3" @. - Artist: Georges Teperino. * : Electrosonics N° 4" @. - Artist: Georges Teperino. * : "Electrosonics N° 5" @. - Artist: Georges Teperino. * : "Electrosonics N° 6" @. - Artist: Georges Teperino. * : Electrosonics N° 7" @. - Artist: Georges Teperino. * : "Electrosonics N° 8" @. - Artist: Georges Teperino.

Very interesting, thanks for posting. Incidentally, I have been looking for years for music scores by this composer for the movies UFO Syndrome (1980), UFO Journals (1978), and Lost City of Atlantis (1978). Don't know if anyone reading this may be able to help/advise with this, but, if you could, it would be much appreciated. Thanks.

I came across this at a local thrift store today wedged between some Isao Tomita vinyl, I'd never heard of Meyers or the Catholic University of America beforehand but I'm very glad I impulse bought it (also picked up Tomita's interpretation of Pictures at an Exhibition and a Steve Reich record so good haul overall)

Thanks! I was on the 1986 volume. It was a great class.

Where is Tom now? This is my TOP Want vinyl!!!

Una Belleza.....desde México....

I played drums on the first track. It was a beautiful jazz blues waltz. I consider it ruined with all the swirling electronics mixed way too high.

So interesting. It's like "hearing" an abstract painting.

41:10-48:53 is bpNichol

Nicolas Raicevic, (Nic Pascal)🍻🍺🌺🌺👌👌

One of the best Progressive Electronic I've known..... What a interesting unique sounding .... I feel this sound design like under my skin. Excellent🌺🌺👌👌

Attending Electroacoustic, Tape, Computer Music @ Sound Diffused sonic events, @ various London University campuses changed my life too, one of the best sonic journeys I've been on ....🌱 4:49

1976년도 이런 실험음악이 발매될수 있었던 스페인 시대상황, 프랑코 사망으로 독재 끝. 민주화 갈망으로 대중문화의 전성기 태동, 하지만 이 시기가 오래 못갔고 좋은 음반이 일회성으로 끝났다는거 안타깝다.ㅠ