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0:43 Intro 1:22 Oleg Paliy about himself and event 4:54 Lis Balaj about Yousician 26:54 Q&A with Lis Balaj 34:58 Dmitriy Byshonkov, Gaming Industry in Numbers (2024) 55:35 Jarno Tiainen, Level Up Your Portfolio 1:26:53 Igor Gurenyov, So You Want to Make Games For a Living? 1:55:50 Joe Burridge, How To Make Your Portfolio Stand Out (this is more for game projects, compared to previous topic about art) 2:16:22 Maria Maunula ft. Oleg Paliy, Producers/Project Managers - who are they? 2:47:10 Mladen Levnaic, Turning Ideas Into Games 3:17:40 Kshiraj Telanf, Alex, Ivan L., Olga Netsvetnaia, Oleg Paliy, Portfolios reviews (ArtStation usernames): 3:21:31 bloomingclara 3:28:26 toni_leivonen 3:38:08 tsarenkoart 3:46:47 naime 3:53:42 sheikkis 4:00:17 fdell05 4:09:08 jurmortal 4:17:05 wilmaramonajpg 4:29:01 filiwonkka 4:38:39 Jonas Törmänen (not on ArtStation, not posting link, since RUclips will probably block it) 4:44:34 georgi_babushkin

I'm so looking forward to this!

We are looking forward to this! Autumn Games Job Fair is a great opportunity to meet the hiring companies and connect with games industry peers.

📌 link to LinkedIn Live event: www.linkedin.com/events/gamesjobfairautumn20247249413949228527616/about/

Thank you for this insightful presentation! It's clear that QA in Games is not only about playing games all day long 😅

"Attend your local events" Me, living in a rural German area with mostly farmers around me:

Awesome video, so many good thoughts. Thanks!

Great to see Jesse! And this is quite interesting talk that allows to re-think how to launch a game and maximise your marketing ROI. Recommended.

Sorry, I just discovered this material now. It seems like it's hard to get away from the truth that governs any story. Any process that causes a narrative project to unfold, under the banner of drama, is about writing. About inventing worlds, characters, actions, reactions, happenings. Heroes, protagonists, antagonists, rules that carry the story forward. Narratology is the study of narrative and narrative structure and the ways that these affect human perception. This is also the case for a game. So, please, avoid this confusion. Narrative is one kind. The graphic artist just comes in and puts into visual form a story that is written by a writer and follows the rules of narratology and dramaturgy. He is a graphic artist. How do we tell the story? Come on, you tell the story exactly as it's written in the script and, obviously, as someone else cuts it out. In film it's done by the director and later by the editor. Is that why games have become so boring and lacking in dynamics? Because, suddenly, for some years now, animators and graphic designers have become writers?

Reinventing yourself is the name of game for me. As a Gaffer ( head of lighting in Film and TV) and a life long gamer, I want to transfer my real world lighting experiance into the role of Lighting artist.

Congratulations to the winners! Those games were awesome and it is great to see the "deconstruction" of those games from the code point of view. Thank you

Thank you for sharing this information; it helps demystify some interview questions.

TRANS ACTOR TOM GIRL HANKS

Thank you Anton for this great presentation. Very useful!

Deeply grateful for sharing the presentation🙏

I haven't watched the vid yet, but I do hope you mention one very IMPORTANT characteristic of a game studio: Hiring people based on MERIT and not just to fulfill a DEI quota. Oh, and of course, DON'T hire companies to rewrite your narrative based upon 'woke' nonsense (IE: Sweet Baby Inc).

This was chock-full of helpful content. Thank you so much for these insights!

Great concise video. Thank you very much. Its just what I needed

1:04:14 token pool

Thanks! They really are good advises!

Maki mire jó ez? Megmondom, semmire.

thank you

Thank you 🙏

This is great insight for those who are looking for a job in industry and I think the tips apply to both seniors and juniors. Thanks Ben and Milos!

Thank you for this great presentation!

18:53 Broke out some code from GameMode in an Actor (Manager) //not sure what it's not a UObject 21:10 magic num to code or ini 23:29 // code comments 24:41 Instead of for each move, group move. // like a flyweight or instance setup? 26:47 wrapping or cycling an int. 30:35 BallProjectile is not extensible. No Comps 33:33 HUD architecture, observe instead of command. 34:19 Architecture, what knows about what? // basically what I've been coming here for - in another review, they talked about how a component shouldn't care about what kind of actor it's on, ie no `MyChar->DoStuff` in comp. Next guy has slides with description 45:00 Option to use child healthComp in baseClass 53:08 if(importantThing), but no else or ensure, or just no if at all. 1:01:42 Pawn shouldn't ref controller. 1:02:25 Enemy Properties could have been a data asset 1:02:46 MagicNum replace with funciton 1:14:00 Use UPROPERTY() to null things instead of garbage prointers 1:17:07 Modules 1:18:42 Constructor vs BeginPlay 1:20:34 What Some places test for (not making a game) 1:24:10 public and private folders 1:24:35 Singleton instance thingy

25:32 Comp references owner instead of calling delegate. Comp shouldn't be coupled to specific owner 27:23 Constructor is for describing class, no functionality 40:29 Don't use ChildActorComp, use spawn 41:40 Confusing flow for shooting 44:18 shouldn't find player, and gameInstance in constructor 47:51 failed at prototype design pattern in enemy data assets ~ 52:49 How pickup should work, w/o relying on data asset

Thank you for this practical talk! Very useful for those looking for new career opportunities, which is very relevant for many talents in the industry at the moment. Keep it up!

This is such a great deep dive into the UE code aspects, so relevant for both junior and senior talents. Thanks!

Great talk Maxime, thank you!

Thank you for this great talk Javier, really a very practical approach to look into before starting any new game development project. Recommended for everyone who's looking to start a new development project!

06:45 Game Play Feedback. Enemy hit reaction, controls, UI. 10:30 Code Sustains. Overall readability, PragmaRegion, Delegates, Const correct, 13:05 Extensibility & early refactor, what goes in BP (data only). 14:55 Code Improves. Private & Public, Name Convention, Var* in if, fwd Declare, single line code, virtual override, 20:01 Magic Strings (hard code), Designer Blueprint Access, Documenting, 22:54 log, built-in functionality, 24:28 Child Actor Comp, Var* in if, 26:59 Hard code Class Finder, early refactor. 31:19 Game Play Feedback. Best Technical. Most of what went into the game was data only BP. 33:32 Code Sustains. Inheritance & components, actor pooling, BP clean, Pragma Region, UProperty, clean code, 38:45 AI, many Classes pool, BP instances & base, 44:00 UI, tick vs. bind vs. event vs. ViewModel, 48:06 WaveManager, GameMode, decoupling, UI event, pooling, BP size optimization, include ../ path, pargma region, 59:40 Seperation of task(weapon and weaponComp). 1:01:15 Game Play Feedback. fx and sounds, feel. 1:03:00 Code Review. Private & Public, hard-code vs designer, GameMode, 1HUD & WBP, 1:06:14 built-in functions, OnPossess, APawn Interface overrides, Init process, Die on Char vs GameMode, struct for shared vars, 1:12:12 built-in functions Timer vs Tick. 1:18:22 follow f() call, float curve or timeline or vector curve, Constructor vs beginplay, !DRY code with oneLiner, handle null check, run in debug with dev build, 1:25:27 recap DRY for readability. I thought there was some good info about logs, but no.

Great talk Tuuli, very insightful for anyone who's looked Ng or planning to look for new career opportunities in the Games industry. Thank you!

Great and very insightful talk Roman, thank you!

Thank you for this insightful talk Erik! ❤

Very informative session for Artists. Than you!

thank you for all the advises! very good video! <3

Great session for both junior and experienced UE developers, lots of useful coding tips and practicalities. Thank you!

Hey Eevi, are you guys still hiring for writers?

This is really deep dive for those who are looking to grow as a QA in the Games industry. Thank you Henry for the talk!

Thank you very much for this session and the constructive feedback!

Great video! Needs more views

Thank you Liliia for putting such a detailed step by step for artist on the job hunt.

Great video and very informative. Thank you Eevi!

Great talk and ver relevant specially for those who's got affected by the recent industry layoffs and on the hunt for the new opportunities. Thank you! Recommended.

Very systematic and practical approach on how to find a job in the Games industry for Artists. Thank you Liliaa!

Indie devs pouring all the narrative into notes scattered around in a walking simulator need to watch this. Heck, even Remedy with their Control need to watch this. I remember how people were defending Control's story, which had a large part of it told through missable collectables, it was crazy. Yes, if you do find (and read) all those collectables the lore and the narrative become much more interesting, but if you don't - the story falls completely flat. Gamers do not read and do not listen, so important parts of the lore and story should be visualized in some way, and all those notes should serve as addition to that.

In 3 Easy steps: Put a chick in it make her ghey make her more lame

I hope one day I will work in suppercell team clash royale 🎉