Видео

Always loved this piece when I was a teenager in concert band; thank you for your performance!

Excellent thank you

Beautiful choice and sensitive interpretation! Bravo, thanks a lot.

Well done ! This easy-sounding (at least by Grainger standards) piece is so much harder than it sounds, demanding very precise voicing and a large left hand (both are Grainger trademarks).

❤

das Lied gefällt mir! eine gute Melodie im Dreiertakt, danke sehr!

Very good

Ratatata, bratatata, parara, marara. Taratata, tararata, arara.

Was für wundervolle Klänge! What wonderful sounds!

I love your performance, Edward! This Grainger piece doesn't get played much by pianists, and I don't know why. For me "The Merry King" is a choice bit of Grainger's music. Thank you very much for sharing this enjoyable video! I really hope that you will do some more Grainger!

너에겐 내일의 저녁이 있을 거야.

Nice piece From the couple on Lucerne train. With Debussy limerick

나는 로리가 고통받는 모습에 슬픔을 느껴요

Hallo Simon und Edward :) ich schreibe meine Doktorarbeit zum Thema „Einflüsse der persischen Literatur auf die europäische Kunstmusik“ und beschäftige mich zurzeit mit der Rezeption der Hafis‘schen Poesie im deutschsprachigen Kunstlied. Erstmal ganz herzlichen Dank für euren Beitrag und die tolle Aufnahme! Ich hätte zwei kleine Anmerkungen: die erste vollständige Übersetzung des Divan von Hafis verfasste der österreichische Orientalist Joseph von Hammer-Purgstall im Jahr 1812/13. daraufhin setzte sich Goethe mit diesem Stoff auseinander, was zu der Entstehung des West-östlichen Divan im Jahr 1819 (1827 erweitert) führte. Dieser diente als Anregung für Friedrich Rückert für seine Östliche Rosen (1822). Als Nächstes setzte sich Daumer mit Hafis auseinander und verfasste seine Hafis-Übertragung (1846 mit einem Nachtrag 1852). Abgesehen von der Übersetzung Hammer-Purgstalls sind alle dieser Werke (inklusive Bethge) als Übertragungen oder Nachdichtungen zu verstehen und sind dementsprechend keine „Übersetzungen“.

0:16 0:44 0:58 1:27

is the sheet music available anywhere

Wunderschön gesungen - dieses schwere, atmosphärisch so anspruchsvolles Lied. Brava!

댓글 개웃기네 ㅋㅋㅋㅋㅋㅋㅋ왕왕왕왕이래 ㅋㅋㅋㅋ

왕왕왕왕....

Very enjoyable!

Sehr schön

~~~~~~~~

Einfach grossartig, Weltklasse

I like it very much. Simple and cool.

헤리의 저녁

왕왕왕왕...

헤리, 일어나

Absolutely wonderful playing of these beautiful miniatures. A discovery of enormous quality and value for anyone who loves Delius - or even just the piano itself! Thank you, Edward.

Loving yr Delius Edward - what a special sound world he creates - totally captivating how you get right inside it.

if you didnt know who this was, you could guess that it is moeran. What makes Moeran sound like moeran (hARMONICALLY SPEAKING) ???????

Beautiful music-beautifully rendered!👍👍

희키

희키 Bring me here

🎹❤

So beautiful thank you!

Thanks so much

Do you think the sheet music be be available in the near future for us all to enjoy playing these wonderful pieces?

Beautiful! Thanks so much for posting this video.

Don't forget to watch next week's episode: ruclips.net/video/zp8X2RhyEXI/видео.html

No English subtitles on my feed, but that's OK -- I'm picking my way through the thicket. (I was proficient in the German language at one time -- but that was nearly a half-century ago ...)

I’m checking it again now an hour later, and it’s in synch now! Hope it was just my connection.

Hello x the English subtitles are coming up several sentences before what you’re saying.

No. 6 is basically the "Caprice" from the Caprice and Elegy for Cello and Orchestra.

"My music is the product of my talent and my misery. And that which I have written in my greatest distress is what the world seems to like best.” ― Franz Schubert

I personally find the style of the pieces to be quite mature. They also seem to be harmonically complex at times, particularly No. 2, and Delius appears to be exploring the sonorities on the piano in a more sophisticated manner than in his earlier piano compositions, all of which suggests to me that they may be roughly contemporary with the Three Preludes. They certainly come across as being very inspired and thoughtful. Beautifully played and interpreted! David J. Eccott

These are rather remarkable - they must be among the last pieces Delius was able to write down himself. How did they come to be discovered?

<3

Wunderschöne Interpretation dieses berührenden Liedes! Vielen Dank!!!

“My compositions spring from my sorrows. Those that give the world the greatest delight were born of my deepest griefs.” ― Franz Schubert

Merci!