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Rob zombie

Wow, I always admired her for her great acting, had no idea she was a Talented pianist😮

you must be high as a kite to think 20,000 leagues under the sea is a pirate movie. I wonder how many other of the movies are b.s.as well ;)

That clip of Maureen O'Hara more than makes up for the first ten on the list. 🤠

Excellent 😅 thanks for the list 👍 some great stuff here

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Morena Baccarin! Ahh. It's been so long since I saw her in anything.

Absolutely fascinating analysis, especially as regards Judy's pretence of wanting to drown and everything that follows.

"slightly more exciting than a Yule Log", hahaha! Good one. It's a log alright, but the kind you flush.

Whoever brought their kid to the panel is the scum of the Earth.

No

I love the expression 'soulless dollop of crap'.

Maitland:"Dig that crazy beat" Rob Zombie: "Dig through the ditches and burn through the witches"

self-indulgent, didactic feminism does not make good cinema. certainly, not here anyway.

self-indulgent, didactic feminism does not make good cinema. certainly, not here anyway.

"Mindless chores" are the beating heart of all our lives...they are the things that keep us grounded and unite us in this existence. But, watching Jeanne carrying out the everyday tasks of her existence, it struck how mindful and involved she is in every action. The film is a fascinating insight into not just her existence but all our existences. There is real beauty in the way she carries herself through her seemingly meaningless existence. It is a wonderful film. I love that people hate it, mock it and pour scorn on it. The criticisms I hear about this beautiful film say more about the viewers than the film. It is a triumph.

awwww❤❤❤❤❤

You look like Oppenheimer

How is Godzilla Minus One not even on this list??? Super Mario Bros was better????

Yes. Agree on pretty much all of those. Great to see Napolean, Leave the World Behind, and Wonka being called out for what they are ... bad movies.

man the barbie movie and the wonka movie were so good

But Himi was not the Creator’s daughter…

Just a note: Many, many actors were multi-talented. Some were artists in painting or sculpting. Many could play musical instruments. It is obvious that Mz. Hepburn had some familiarity with the piano as she played the piano in several films. If she was dubbed in this one, there was a reason, but it is obvious from the camera angles that she could play well.

A film reviewer after my own heart: Vertigo has always been my absolute favorite. It was released the year I was born and I revel in the dream aspect of Hitchcock’s masterpiece; every shot is a work of art. I show this my Film Studies class and it never fails to get the students thinking deeply about the art of filmmaking. Have you even seen an original 35mm dye-transfer Technicolor print of Vertigo? I have, several times. The experience is breathtaking. I also programmed sections from Bernard Herrmann’s evocative score for the Orchestra I direct. It was a wonderful experience for both the orchestra and audience. 🎞️

이분이 영화 러브어페어에서 피아노치시던 숙모로 나온분맞죠? 영화배우인데 피아니스트이기도 하셨나보네요 ~👍

Today, unfortunately, no one knows how to play faster octaves with the arms, and blocked wrist...there are no modern virtuosos....Hepburn makes the difference! Ah ah 😉🎼

Jeanne Dielman more than any other film could be considered the starting point for the slow cinema movement. Filmmakers like Ozu and Tarkovsky are it´s precursors but none of them went radical as Akerman did with JD which is here this movies power comes from(no need for warmth). This movie influenced some of the best modern directors past the 70´s like Bela Tarr, Tsai ming liang, Lav Diaz and many more. Saying that this movie has no influence in cinema history is ludicrous.

Shhh...don't tell anyone: Tarantino is not a great filmmaker

Japanese audience are really upset that the main character is of mixed race 🙄?

Thank you. You revealed many things I overlooked. I saw the film today in Kinshicho and my Japanese isn’t quite yet good enough to catch all the nuance, much less my Japanese cultural literacy. It is the darkest feeling Ghibli movie I seen since Grave of the fireflies, yet it is also, arguably, the most beautifully illustrated they’ve produced. I really enjoyed it even though I’m still unsure of it’s greater message. Yet this fact only makes me want to watch it again and again until I find some resolution. Again, thanks for your insightful review.

I sat through the entire ordeal, waiting for something to happen, waiting for the "unforgettable ending" I read about. But if there was ever a movie for which I wish someone would give me back the time I spent watching, then this is the one. One of the worst, most pointless movies I've ever seen. Absolutely nothing redeeming, nothing moving, I sat there as emotionless as the protagonist, even during the climax (I somehow saw it coming, although I don't see any point in it). I can watch 3 hour long silent movies without getting bored. I love low-key films about people and their little everyday problems, I could sit for ten hours through Kieslowski's entire Decalogue and enjoy every minute of it and be deeply touched by the stories. I have nothing against slow movies, one of my all-time faves is Once Upon a Time In America that many people find too slow and too long. But this thing is not a movie, it's some weird exercise, and this choice is an absolute shame and a joke, obviously politically motivated. As for your commentary, I only disagree about the inclusion of stuff like Star Wars. Please, I loved this as a kid, but as a grown up I just can't take it seriously, it's ridiculous. This should not be a pure popularity list. But Jeanne Dielman is on the other end of the spectrum and shouldn't be anywhere on this list either. (Sorry if something sounds awkward, English is not my native language.)

lol americans really think they are the center of the universe

You speak beautifully. Great oratory skills. Thanks for this.

thank you for this succinct critical analysis. you have a talent for using literary devices.

Finally a fantastic review! I watched the movie (also in Nara just like you!) and was frustrated at all the Japanese reviewers who missed the mark on so many points and missed so many metaphors and symbolism within. Great content, subbed to your channel!

The Japanese title is asking his Japanese audiences how they are doing generations after the great war. The western great uncle is America who is now 'dead' but still has wizard-like powers over the Japanese people. The grey heron is a representation of the true spirit of the Japanese people. This is a nationalistic film telling Japanese people to get out from under America's yoke and influence. The Japanese can make their own decisions and control their own fate. Even the name of the main character - Mahito - is with deference to Emperor Harohito. I can see why Japanese audiences are uncomfortable with this film.

This was really interesting, thanks.

Lol, you got what you deserved, Lucas basher

I like that you like the movie but I strongly disagree with the way you present it. The thing is the movie is a HORROR movie from beginning to end. Ignoring that is dishonest

Great analysis, thank God it was recommended to me

Because nowadays the woman is THE MOST IMPORTANT THING IN THE WORLD, Sight & Sound people want to make me believe a woman cutting potatoes for 40 minutes is better than all the movies of Kurosawa and Ford, better than Hitchcock and Eisenstein, than Kobayashi's Human Condition and Coppola's Godfather... DON'T TRY TO BRAINWASH US, bastards

why are you wearing a hat

I despise this film as much as I despise pedophiles, nazis & communists, I legitimately wish it didn't exist

the people who think L'Avventura (1960) is boring have clearly never seen this.. at least L'Avventura deserves it's praise

A dude dressed like the parody of a noir P.I. lamenting that there is no Star Wars or Tarantino on the list is honestly so funny. This list has catered far too long to dudes with a complete lack of cinematic curiosity, hopefully it will go further down the path and truly transcend the shackles of boring genre flicks, as Parasite and Moonlight are more of the same rather than a break from the oppresive Hollywood form and style.

Man this was a load of drivel.

Everyone knows the good the bad and the ugly is the best movie ever

One could make a serious argument for JD as the best film. (The movie makes something that I would never watch in reality (because of boredom) exciting.) The argument may lie in the fact that JD shows the essential effect of cinema most clearly. (In reality, I wouldn't watch paint dry. If you were to make a film about it, I would consider watching it. (I explain the reasons for this in a review about "13 lakes" on my channel.)) The problem is that woke ideologues have obstructed their possibility of serious argumentation.

It is rather remarkable that you are so certain of your own subjective taste that you not only claim its position anywhere in the top 100 is a political choice. Even Paul Schrader, who called the positioning "distorted woke reappraisal", ensured to say it was one of his favourite films and a large number of those who share your opinion that the results might have been driven by politics have stated it deserves its place in the canon. You also speak about Ozu, but not Akerman's structuralist influences. All critiques voiced against JD here could also be voiced against Welles with CK, as he merely added together various techniques set up by other directors, from the shadows of Ford to the angles from German Silent Films, etc. etc. etc. I also think you may have made a rather excellent point it it's favour (without realizing it/having different views on art than I) with your observation that it allows readers to read into the work and be left with their mind in contemplation. This is how great contemplative cinema works, and surely a part of why many hold it dear. I won't do a big sales pitch for JD, but it is one of the most singular and impressive works in cinema history, with no true equals, distorting our perspective of time and making chores - yes, chores - the driving force of the action, and yes, suspense. Are you really surprised that a film like this, which in many ways is an antithesis to conventional cinema, would appeal to critics, archivists, programmers and especially academics? I do prefer Tokyo Story to Jeanne Dielman, but as a work, JD is far more impressive and even integral to understanding and discussing cinema, and that kind of reaction fuels love, appreciation and indeed feelings within those with similar views of yours in terms of "objectivity" within art. Personally, I hold JD to be a far more suited winner than Vertigo, and arguably even Citizen Kane, it shows the scope and possibilities of cinema better and makes incredible contrast to what so many, including you it seems, believe cinema should be. P.S. In terms of the choices being political - I'm not at all sure - though it depends on what you mean by political as well - I am quite certain many voters wished to highlight women directors, but what I'm not convinced of is whether this is more/less political and more/less valid than wishing to highlight silent films, Japanese films, westerns, or indeed influential films. P.P.S. Influence has never been suggested to be the criteria for this list or any previous iteration of the list, so I'm not at all certain why you speak of it. Each voter has always been free to decide what "greatest films of all time" means to them. "Most influential films of all time" sounds like a very different poll idea.

The problem with woke is that it puts identity politics above truth. Classic example of the road to hell being paved with good intentions. Woke is dishonest and manipulative and makes a virtue out of being single minded and devoted to "the cause" just like a cult. Jeanne Dielman may be a great movie, but it is not the best movie ever. Everybody knows that is the truth and everybody knows that the film winning the poll for the greatest movie ever made is woke manipulation and dishonesty.