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Hey man, I have a few videos on the channel that show off what I do, but Ill make a new video for you :)

Hey man, I had the skinny top heavy bottom ernie ball strings. Tuned to Drop A and I record into a DI BOX. Then into my UMC U-phoria 1820. I make sure Im not clipping (with a Di box you shouldnt) Then I aim for around -12 db signal and thats what goes into my Amp sim. And then I increase the gain from the amp sim input into the amp block so it comes in hot. Then add in drive pedal ect. I have tutorials on guitar tones on my channel :) Hope this helps

hahaha! Mate we will be buying products until we die

If you have active pickups, make sure the battery is new In your guitar. Also try and go for high gain amps, but have the gain quite low (around 3 to 4) and smash the DI into the amp with volume. You can do this with either drive pedals and increasing the level knob or both. :)

We appreciate it mate, thankyou! :)

Thankyou man! I appreciate it. I'm working on new videos soon :)

Hey dude, So first bit of advice I would say is to avoid presets Unless you know how to teak them. You're better off making a tone from scratch starting from the beginning. Like your DI into your audio interface, make sure you aren't clipping. Make sure if you have active pickups in the guitar that the battery is fresh. If you want a tone like a certain band. research what Amps they use, and make sure you're using an amp sim that is simulating that specific amp. Also, Cab impulse responses for the speaker. Find a cab impulse response that is taken from the same Cab and microphone blend. Then Id just say, use less gain on the actual amp and focus more on an overdrive pedal boosting the DI into the amp. :)

Hey man, The pickups in my Ibanez are EMG 60 active ceramic humbuckers. I use the bridge pickup and always make sure my battery is fresh. They come in pretty hot, so I make sure Im not clipping that will ruin your tone. You can also use an EQ before the amp block and bost the high end to help brighten them up as well :)

I never understand comments like this. I can side chain in fl, I can route busses. I can do sends and returns. I can use 3rd party plugins / vsts. I can Automate anything. I can do everything any DAW can do. It really doesn't matter what DAW you use? If you like reaper then awesome man. Good for you lol.

@@distortedviewsband Idk. I'm sure FL can do it all. And of course use what you like. I just put FL in the sequencer category.

​​@@distortedviewsbandAbsolutely agree. I do think some daws can do more or do some things better than others (eg the Arranger in Cakewalk / Cubase, clip launchers if you like that sort of thing, FL had a rep for having the best midi piano roll editor, etc) but I could not agree more that if it works for you and you know how to get the best out of it it's absolutely the daw for you. Free lifetime updates from FL don't hurt either.

@@capoman1 man if it works, it works.

Absolutely, it really helps the memorisation process and to really get hold of parts! Appreciate the support!

Nah man! they do the same thing as far as I know, I just like the idea of following a signal chain as if it was real gear. :)

I would record the tone mono and pan left / right in the Daw :)

Same here! He is a beast and a legendary dude!

Yeah man! Doesn't have to be axe fx related syx. Can be Wavs from packs you have downloaded. And its free! :)

He’s a legend for sure! Grateful to have him for a chat. Must have been a cool experience filming and watching back all these awesome musicians!?

Appreciate the love! Definitely could have chatted forever....

Appreciate it thanks!

Thankyou 🙏

Its hard for me to answer without hearing it my self. But It could be too much air, or squeezing too much. I never coughed or had a scratchy throat when learning this technique. Maybe try humming a soft note, and doing the throat singing in a relaxed way acting as a "car". Like revving an engine slowly. Keep it a relaxed hum and it should feel no different to humming without distortion, only difference is you will feel the vibration when you engage the throat singing. :)

Same here man! haha, I been using Fractal audio for a while too so I should have known sooner. It's awesome, Glad you like the IR :)

I'm definitely going to do a video on fry screams and then Yell / pitch screams in the future. Im just researching first to ensure I give out the best correct information. but that video will come in the future :)

@@distortedviewsband Thank you, looking forward to it! :O

​@@distortedviewsbanddef looking forward to that also

Hey man, I would start by learning placement of the clean voice. If you can learn to place the clean voice up into the soft pallet and feel it resonate there with relaxed humming. When you engage the false chord it should feel just like you're turning on a muscle. No squeezing to make it happen, or pushing. Just like an On/Off switch. Nice, relaxed clean voice, and turning that vibration on and off. Don't even worry about the scream yet. Once you're comfortable with that, it will all click one day.

Same here I've found out being a beat boxer it's easy to get scream I can relate how it took me years to get the inward bass I can do it for long hours now without hurting Myself

@@willi_wam.beatbox but man i still cannot scream im fed up 😭😭😭

Just stick to the basics it will just come on it's own the same way you learned other beatbox sounds