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Musical Interlude
Добавлен 1 фев 2017
Franz Liszt - Unstern! Sinistre, Disastro S.208 - Maurizio Pollini
A piece that concerns mainly the anguish and despair in Liszt's late years
Просмотров: 2 453
Видео
Shostakovich - Lament for a Dead Child - From Jewish Folk Poetry, Op. 79
Просмотров 3,2 тыс.7 лет назад
From Jewish Folk Poetry , Op79 No. 1 , Lament for a Dead Child Piano: Dmitri Shostakovich Soprano: Nina L'volvna Dorliak Mezzo-Soprano: Zara Dolukhanova Tenor: Alexei Maslennikov Recorded Live in Moscow , 15 January 1955 (the first public performance)
Johann Sebastian Bach - The Art of the Fugue - BWV 1080 - Lionel Rogg, Organ
Просмотров 39 тыс.7 лет назад
A supremely recorded execution of the most magnificent contrapuntal achievement of Bach. I realise that being exposed to that intense and complex monothematic contrapuntal organ music for a prolonged period of time (let alone in the same key of D minor) may be an exhausting musical experience, but I believe that even a few good listenings could pay off by enhancing your perception of counter po...
Sergei Prokofiev - Violin Sonata No.1 in F minor, Op.80 - Oistrakh, Richter - High Quality
Просмотров 11 тыс.7 лет назад
A Fantastic interpretation of this unique by Prokofiev's standards masterpiece by the legendary duo. Sergei Prokofiev (1891-1953) Violin Sonata No. 1 in F minor, Op 80 I. Andante assai - 00:00 II. Allegro brusco - 6:54 III. Poco meno mosso - 13:24 IV. Allegrissimo - Andante assai, come prima - 20:37 Recorded: March 29 1972 , Great Hall of the Moscow Conservatory
Sviatoslav Richter plays Prokofiev - Piano Sonata No. 9 in C major Op.103
Просмотров 9 тыс.7 лет назад
''I love it more and more. The performer of Prokofiev's Ninth Sonata must overcome numerous hidden difficulties, intrinsic only to do it. Possesing a light and intimately chamber quality , it conceals an assortment of riches that are not perceivable at once. This is a sonata that is bereft of any outward effects whatsoever, it is dear to me by its purity and sincerity, in which the composer's c...
Emil Gilels plays Mozart - Piano Sonata No. 15 in F major, KV 533/494
Просмотров 27 тыс.7 лет назад
Recorded during one of his frequent visits to Prague, this piano sonata was performed as an opening to a recital that included the Brahms Fantasias Op.116 , which I have already uploaded, and It remained unpublished until quite recently. Gilels pays tribute to the composer of the Magic Flute by using his unique and original understanding of the work combined with his gorgeous symphonic tone. An...
Emil Gilels - A Brahms Recital - Ballades Op.10 Fantasias Op.116
Просмотров 6 тыс.7 лет назад
These are some spectacular recordings of Brahms's schumanian Ballades Op.10 and Fantasias Op.116 of the late period , taken from two separate recitals in Prague. Gilels , like his compatriot Sviatoslav Richter used to perform there frequently , thus leaving behind many special live recordings. JOHANNES BRAHMS (1833-1897) BALLADES (4) - BALLADEN (4) - BALLADES (4), op.10 1. in D minor - d-Moll -...
Hindemith Conducts Hindemith - Nobilissima Visione
Просмотров 10 тыс.7 лет назад
In this treasured recording Paul Hindemith conducts the Philharmonia Orchestra in a performance of the orchestral suite extracted from his dance legend of the same name. 1. Introduction and Rondo - 00:00 2. March and Pastorale - 09:00 3. Passacaglia - 18:11 Recorded : 21.XI.1956 , Kingsway Hall, London
Dare I make a comment? If I were to write "amazing", I would feel that I had insulted both Johann and Lionel Rogg!!
Pellucid.
Любимый гениальный Эмиль Григорьевич!
Die Aufnahme (vor allem im Andante!) ist für meinen Geschmack ein Beleg dafür, dass Emil Gilels wohl doch der größte Klangzauberer des Klaviers war, größer als ein Horowirz und Rubinstein.
Simply awesome
prokofiev: why lose time with preparing recitals while i can write a new sonata in those two weeks and give it to richter?!✍️😂
I think (?) this is with video footage too ruclips.net/video/NsWUlpMFFAg/видео.html
lived in Amsterdam from '74 - '79, and was fortunate (and thrilled) to see Gilels play the Brahms Opus 116 one year and then the Ballades the next year at the Concertgebow. Deeply moving heartbreakingly beautiful performances, and for once Dutch audience stopped coughing. I was in heaven. I saw Gilels one more time, in NYC on October 15 1979; went straight from the airport to Carnegie Hall - but i sensed that he wasn't well, his playing was a bit off... and then 6 years later he was gone... too soon. I have many Gilels recordings, including those made of those Amsterdam performances.
Великий мастер фортепианного искусства. Низкий поклон и вечная память Э. Г. Гилельсу.
Потряссющее наполнение музыки Моцарта , слышу в каждой интонации живую речь и необыкновенно интересную смену состояний! Великий Мастер!!
Браво❤❤❤❤❤
The passicgallia reminds me of Britten...another master of the form.Both have the innate ability to transcend to the psyche where time does not exist.
0:50 - 1:08 you will probably disagree, but it feels like late Beethoven to me. The Diabelli and Bagatelles - late Beethoven
Extraordinario Emil Gilels
I wonder if this i the remastered version released by emi in 2007 - only have the vinyl version so i am curious....whenever anyone can answer i will be grateful
It is indeed the remastered version.
Thank you. The cd is about 39£ so a bit indulgent Lovely to listen to it - i notice the bass lines more
This is f**ken choice. Thank you.
Perfezione!
This really sounds like how Liszt would play it
Paul Hindemith ist einer der wichtigen Komponisten des 20. Jahrhunderts, da er einen neuen harmonischen Stil entwickelt hat, der sich auf naturbezogene Töne bezieht und keine nur synthetische Erfindung wie die 12 Tontechnik es war, die sich mehr in mathematischen Formen wieder spiegelt und rein geistiger Art ist. Hindemith bezieht sich aber weiterhin auf die Obertonreihe, entzieht sich der früheren Dreiklangsmethodik, wobei er ein eigenes Tonsystem ersann. In seiner Musik erkennt man seinen Scharfsinn, durch klare Tonzusammenhänge und Form, seine rhythmische Vielfalt, aber auch seinen unverkennbaren, manchmal etwas sarkastischen Humor. Ein Künstler seiner Zeit, der von den Nazis als entartet bezeichnet wurde und ins Ausland gehen musste. Er wurde amerikanischer Staatsbürger und hatte viel Erfolg dort auch als Dirigent, was man hier sehr gut hören kann, gerade mit seiner Komposition mit seinem unverkennbaren Kompositionsstil.
Magnífico! ❤️
I would love to add on to the overflowing praise that commenters have already heaped on this interpretation. But to me it seems that the little operatic ornaments and dynamics are poorly brought out here. Contrast this with Brendel or Schiff, who impart the gestures with their requisite thematic significance.
You know what?? There are a whole lot of people who love to hear how different pianists interpret pieces, and don’t listen to criticize about petty nothings as musical snobs do. People who can’t listen to such sublime music without criticizing tend to have very negative attitudes about life in general, which is quite ironic since it is the nature of Art to lift us out of the banalities and frustrations of our lives. So who really cares how Schiff and Brendel interpret this piece?? Since no objective criteria exists to determine which artist or interpretation is “best” at this level, silly criticisms are a complete waste of time! If that’s your objective in life, have at it!
Do you see any hypocrisy in telling him he isn't allowed to critique something while you critique his comment?
divine!!
Very nice! May I ask where can I find the pdf score of Mr. Rogg’s completion please? Thank you very much!
For what it's worth, years ago I wrote to Mr. Rogg to ask if he would be willing to share the score of his conjectural conclusion and he indicated that he intended to not publish it. I also wrote to him again about a year ago and received no response. Of the many conjectural conclusions written, his strikes me as the most convincing, the most Bachian. It is a loss to the world of music that the score remains unavailable. I wonder if any software program exists that could convert the audio into the score???
Uma leveza inigualavel. Gilels bebeu na fonte de Neuhaus, mesmo que tenha dito o contrário!
Gilels era gia' un gigante del pianoforte quando conobbe neuhaus! Aveva studiato con yakov tciak e berta reingbald per anni! Quando studio' per 2 anni con neuhaus fece molte assenze e chiese consigli a Feinberg e forse anche a igumnov! Ma la propaganda lo fece passare come allievo di neuhaus, Gilels era gia' prima di conoscere neuhaus uno dei migliori pianisti sovietici!
Very true! Gilels is magnificent…and Berta Reingbald was a great teacher in the Leschetizky-Essipova tradition of cantabile, color, and pedal,as well as Intonation!
Liszt meets Prokofiev!
sorry - truely the greatest Master of the fuge and ..... in music!!!
Comme toutes les Sonates de Prokofiev, celle-ci s'affirme... J'avoue avoir du mal à la saisir pour le moment. Finalement elles m'ont presque toutes fait cette effet. À la première écoute de la 8ème, je n'avais pas compris. Désormais elle m'obsède presque. Donc, on en reparlera !
ça fait bizarre de revenir ici et de voir un commentaire que j'avais totalement oublié. Et bien je confirme mon propos, j'adore cette Sonate désormais. Elle fend le coeur un peu (surtout la fin du troisième mouvement), je comprends pourquoi beaucoup la qualifient "intime". J'ai le sentiment qu'elle a un propos sur la vie même, dans ce sens là elle me fait penser aux dernières Sonates de Schubert.
ruclips.net/video/yQZ4Qlw29OE/видео.html
he made something out of the "theme!" :-D Friedrich the great .....
post conflict WW2 battlefield vibes
Pocas veces escuché una grabación tan bella, perfecta, magistral. Contribuirá el magnífico sonido del piano? Pero las gradaciones de intensidad, la articulación del fraseo, el gusto impecable, son del ejecutante. No puedo más que sacarme el sombrero y lanzarlo al aire.! 👏👏👏👏👏
OMG! What a superb, clear organ.
Ich habe wenigstens 30 Interpretationen der Kunst der Fuge gesammelt und verbringe viel Zeit damit, die CDs zu hören. Ich entdecke jedesmal wieder etwas Neues. Diese Interpretation ist so ziemlich die beste Orgelinterpretation, die ich gehört habe. Rogg entfaltet die Macht der Orgel auf die Macht der Musik. Bach hätte wohl seine Freude daran.
La meilleure version, avec une registration superbe.
I'm with Sviatoslav on this one, and eggplant1994. This sonata, Prokoviev's last, is simply my favourite piece of music ever since I was a teenager and it took me into outer space and beyond. At the same time it took me deep into the mystery of myself as a human being. It contains a minute or so of the most sublime, enigmatic music ever written, beginning at 9 mins. in this performance. It returns later, a poignant expression of mystery. Richter gets it. OMG does he get it! You either do, or you don't. But you have to listen, leave everything else behind, and listen.
one of the most cathartic songs I've ever heard
sorta sounds like a 3 year old playing
You should have your ears checked, maybe there´s something wrong with them. Volodos is regarded as one of the most gifted and inspired pianists of today.
@@billmarrufo maybe.... but it doesnt mean i have to like it :)
If you don’t like it is ok, but that’s not the point. Your post certainly sounds like that of a three year old boy.
@@billmarrufo im simply stating my opinion... and that is it sounds like a 3 year old playing....that is my personal opinion and you do not have to get offended my friend
@@louismtb1240 What kind of 3 year old monster would be able to play like this? It’s very accurately and pristinely played. Maybe you don’t like the chromatic music. But that’s a whole different thang.
No, I am falling asleep. The music is going nowhere. Time to put The Clash on.
Thanks very MUCH...
La vetta più elevata cui è giunto l’intelletto umano. Magistrale interpretazione
Totally agree. Our species deserves to be a member of the Universe, being able to create perfection such as this.
4:52 omg my heart is melting
Definitely the spot that secured this piece in my heart the first time too
Genious!
This piece is so underrated.
I’m learning it now..Every day I discover something amazing in it.
Incredible!
Prokofiev has lot the plot entirely. Even I can produce music like this after a bottle of red wine. What a shame for a composer such as this to end his days with a sonata that is less interesting than than the one he wrote forty years earlier. The moral is: we do not getter with time, alas.
I think it's the kind of sonata that seems better each time you hear it. Or try to play it. Give that Andante another spin?
If you don’t love this sonata, maybe you don’t feel this emotion, and that’s ok. Maybe it’s even a good thing. For me, in my darkest moments, this piece and literally no other expresses the existential loneliness, ambivalent despair, and transience of satisfaction that looms over me. It is comforting for me to know that someone else has felt something like this. Yes, nothing in this piece is accessible or particularly “satisfying”, but to me, that in itself is the art of it - from the rest of his works we know that Prokofiev is well capable of producing the awe-inspiring moments he’s famous for, but to me this piece is a celebration of the undertone of existential anguish that’s omnipresent in the rest of his works.
You can certainly produce a piece of mildly entertaining prose after a bottle of red wine. I can even detect a hint of acerbity. How about spending £ 2 more on the next bottle and see what inspiration that more complex draught may bring? By the way, your fourth last word "getter" means "goats" in Swedish. Try something that goes with that cheese. A toast to you both and please say hello to the wine store clerk from me, eh?
@Ann and Martin Travers - You'll recall that Prokofiev was in poor health following the concussion he'd suffered in 1945---so severe was the injury that he nearly stopped composing. It was only through monumental effort that that he was able to complete his Sixth Symphony (1947), which does indeed seem to me his last great work: ruclips.net/video/bT07h7yJQN4/видео.html. I wasn't familiar with Prokofiev's Ninth Sonata; it strikes me here as a transitional introduction to the Glazunov-like character of his final pieces. Remember, too, that in early 1948 Prokofiev and his contemporaries would be fully, formally condemned. Perhaps his change in style was as much necessity as inclination.
@@bcarr1122 These are incidentals. What do you want me to do with such knowledge? Beethoven drank too much wine, Mozart had other hobbies Music is an absolute and we judge it in absolute terms. How else do you wish to judge it?
This and BWV 537 is one The Greatest pieces Composed by An Evolved Human Spirit-Herr Bach💫⭐️✨🌟❤️
This has to be the definitive account of this enigmatic work.
As an organ fan I v much enjoyed this. However I still prefer Munchinger with his chamber orch set-up for bringing out the different parts via different timbres & textures
It sounds similar in interpretation to Helmut Walcha 😊ruclips.net/p/PLfdMKJMGPPtxnSD6XnL8nQDw_oyF79zQC he lives and breathes Bach hanging onto every note as everything somehow made sense❤️
I think every organist follows his arrangement for the organ except for how to complete the unfinished fugue which nobody has really succeed to make sound convincing in my opinion. Herbert Tachezi's version is also my favorite although he avoided to play the last one. ruclips.net/video/Lrb0dHKJBR4/видео.html The one I absolutely can't take is Marie-Claire Alain's performance that sounds like a soulless textbook.
exquisite piece, played with power and finesse!👍