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Thank you! The A-182-2 is an amazing utility. I usually use it to route trigger sequences for voices, and that way it acts as a mute in the middle position. My favorite thing is to have a familiar melody going, the note trigger and pitch sequences separated, and then to switch the note triggers from the familiar pattern to a Euclidean sequence for a different phrasing of the same melody.

Thank you! -- Yeah, it's the most challending at the very beginning, with all that planning and researching. Do you already have some modules?

Thank you, I'm glad you enjoyed it! 🙏 I'm really into these kind of textural compositions with ebbs and flows, and I think I'll explore more of this approach in the future.

I think I needed that feedback, thank you so much for you comment! :) 🙏

thank you so much! 🙏🙏

There's no pitch CV modulation for any of the oscillators in the patch at all, both oscillators are tuned to C and that's all. Octave jumps are done by the dedicated switch on the Manis Iteritas Alia, and by using a vpme.de T43 for Loquelic Iteritas. In the top left corner of my case you can see the first function of Quadrax firing a fast AD envelope. That's the LI's VCA envelope, but the second function also gets triggered by it, which is slightly faster, and that goes into the Morph input of Loquelic. Lapsus Os has 2 outputs for all 4 channels, and I'm patching them to various parameters of the two oscillators, that's what's making all the timbral changes in the entire track. The first (from left) slider of Lapsus Os is a direct 0-5V signal modulating the decay of LI's VCA and the Saw Mod parameter of MIA. The second and third sliders receive a 0-3V range stepped random CV from Shredder, a Mimetic Digitalis inspired applet on uO_C. Those signals modulate Fold and Modulate parameters on LI, and Deep and S/L/M parameters on MIA, respectively. The fourth slider is also a stepped random signal; it's from Pam's, and it has loop repeat enabled, so that it'll output the same random sequence for 2 bars and then nothing for 2 bars. That signal goes into LI's filter, WMD C4RBN to modulate the cutoff negatively. The filter is set to be quite open, and for every 2 bars the random CV closes it. On Manis Iteritas Alia, it is modulating the Smash parameter.

@DaedalusRisingMusic awesome, thanks for the detailed explanation, definitely helpful as I plan out my patching 😀😀 keep up the great videos!

I'm based in the EU, so I was able to order it directly from the Glasgow Synth Guild's website.

thank you, I'm glad you enjoyed it! 🙏💙

Thank you! (p.s.: you indirectly contributed to it, as your videos had been one of the reasons I pulled the trigger on the Eurorack rabbit hole! 🙏)

I'm glad you like it! :) 🙏

Thank you! 💚🙏 I'm glad you enjoyed it! :)

Hey, thank you very much for the kind words! 🙏 I'm glad you enjoyed it! 😊

hey, thanks very much! glad you like it!

thanks!

Haha, thanks! Yeah, ended up having a washed away vibe to it, so I just rolled with it. 😅