Видео

ベルリンの壁が　2:31　からすごい好き

Edward Hopper .

I love cabbage soup

it can be played on organ?

this piece is so delightfully weird, i love it

The third embryo quotes "la Chanson de l'orang-outan" from La Mascotte (1880) by Audran: ruclips.net/video/htYaiwzA5Eg/видео.html and ”Il était une bergère”: ruclips.net/video/X9kQ5zumZww/видео.html, not "Le bon Roi Dagobert".

1891! Satie era l'Ives francese! 💖💖💖💖💖

Shit is unironically good, what a wonderful song to listen to everyday.

AHEAD of his time, is the proper way of saying it.

What a GEM is to listen to Satie works, I feel something I never feel with any other composer. It's special, it's magical, I can't explain.

i heard this song in the background of a video once and after one month of searching i found it

Bellissimo 💖💖💖💖💖

💖💖💖💖

I love how his nocturnes talks to each other, however I wished he composed more well structured works... I'm not complaining, but I miss a lot works such as "ballades" from him, but, we can agree this is what makes Satie himself.

Thank God, I'm able to listen to an Satie Sonata, it's pure joy. Thank God for this finding.

This is the pure form of Harmonies, this is music itself. I love Satie.

💕

So happy a vocalversion exists- when I read his letters and found out I knew it would be utterly amazing

I always come back at it, one of the best pieces ever written, too much ahead of it's time! May Erik Satie rest in peace.

약간의 햇빛 아래 얇은 비가 오는 여름. 꽃잎 두 어개 떨어진 맑은 물 웅덩이와 잠시 눈 마주치는 시간 속

Wow...

7:35 Coco game book (Sports et divertissements - La Chasse) (April 7, 2014)

I'm back again, and I love this piece.

日本語訳歌詞 ショショットを見た瞬間僕の頭はぶっ飛びそうになった 「ねえ、君は独身なの？」 「ええ、その通りですわ」 「単刀直入に言おう、僕と結婚してくれ！」 「ええ、もちろんですわ でも、その前に私の父を説得してくださらない？」 いいともショショット、ショショット いいともショショットもちろんさ いいともショショット、ショショット いいともショショットもちろんさ 結婚式の後、僕は彼女の胸のコサージュから花をむしり取り匂いを嗅いだ 彼女は言う「さてと」 「私の言うことを聞いてちょうだい あなたの夢を叶えてあげるわ 私を抱いてよ でも脇をくすぐるのはダメよ」 いいともショショット、ショショット いいともショショットもちろんさ いいともショショット、ショショット いいともショショットもちろんさ ことが全てうまくいっていたその時、窓の外から 聞こえたんだお馴染みの歌を 爆竹のようなセレナーデ 何かと思って窓から顔を出すと 友人たちが僕を冷やかすために歌いに来てくれていた いいともショショット、ショショット いいともショショットもちろんさ いいともショショット、ショショット いいともショショットもちろんさ」 ある日彼女が言った「ねえアルベール子供が欲しいの モーツァルトやマイアベーアよりマシな男の子を そしたらローマ大賞を取らせるのに だからあなたは その子にレコードや蓄音器を買ってあげてね」 いいともショショット、ショショット いいともショショットもちろんさ いいともショショット、ショショット いいともショショットもちろんさ 9ヶ月後男の子が産まれ僕はパパになった 助産婦が叫んだ「なんてこと！ これは現実なの？！」 「どうしたんですの？マダム そんな大声を出すなんて まさか私たちの子は障害を持って生まれたの？」 「いいえ、でもこの可愛いおへその周りに 字が読めませんこと？ いいともショショット、ショショット いいともショショットもちろんさ いいともショショット、ショショット いいともショショットもちろんさ」

Who's here after seeing Adam Neely's video on polytonality

I will prefer with a lyric voice 🤍🤍🥰🥰🎶🎵🎼

🤍🤍🤍🥰🥰🎵🎶

modernity was a mistake, return to monke

ただ語感だけでピカチュウにピカデリーってニックネームつけてるんだけど結構気に入ってる

Garbage music 💩

Hi, this version seems rather different from the Preludes we usually find on the internet. May I ask where do you get those sheets musics? Thank you very much for your hard work.

I made a stealth horror section in a game of mine with this music - it fits almost too well xD

❤

教授はこのころgeisha girlsもプロデュースしてなかった？ギャップがすごい

Je suis au cabaret du chat noir, tiens ,Debussy vient de rentrer...;;Achille, Claude mon grand vient nous rejoindre, pierre Louÿs s'apprête a nous déclamer son nouveau poème grec, "écoutez bien mesdames 'c'est un peu risqué

Pure, utter genius

Chords at 0:56 are so slick and smooth…

Je dois les écouter pour mon devoir de musique pour vendredi mais c'est très beau ! 👍

Endless imagination and fun are my best descriptions for Satie :3

we throwing dolls off rooftops with this one

we finding the beginning and end of the sky with this one

Classical music can really make you feel some unexplainable emotions, can’t it?

Maybe it’s like wine. The more time that goes by, the better it gets. 😊

❤

軸を中心に、誘惑や悲劇を経ても前に進む意志を感じますね 人生とはとても綺麗で雑、美しくもあり醜くもある、とても深い、素晴らしい曲です。

I wonder if Bill Evans ever heard this piece? Sounds like voicings he would use!

this interpretation is not the best but still better than Caby's 1968. I prefer the one from "Complete piano work by Djan Gorisek & Jane Manning. it is part of the six pièces de la période (the best set by Satie IMHO). You have to listen to the entire set. It is in fact representing the evolution of music from Bach to what he considers to be the future. The six and last one (this one) is for me the pinnacle of Sati's genious. He invented modern blue-jazz, equivalent to what we could hear with Keith Jarrett. Not only Satie knew perfectly Music History, but he was miles away from his more popular friends of his time (Debussy, Ravel, etc ...). The version is mind blowing. You would think Keith Jarrett invented it. And that's when you realize how incredible and completely underrated Satie was, and still is.

it is part of the six pièces de la période (the best set by Satie IMHO). You have to listen to the entire set. It is in fact representing the evolution of music from Bach to what he considers to be the future. The six and last one (this one) is for me the pinnacle of Sati's genious. He invented modern blue-jazz, equivalent to what we could hear with Keith Jarrett. Not only Satie knew perfectly Music History, but he was miles away from his more popular friends of his time (Debussy, Ravel, etc ...). But this interpretation is absolutely not the best. Rather use the one from "Complete piano work by Djan Gorisek & Jane Manning. The version is mind blowing. You would think Keith Jarrett invented it. And that's when you realize how incredible and completely underrated Satie was, and still is.

There seems to be a problem. I noticed that the klemm edition was removed. Anyone wonder why? I wanted to get that copy