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@@trentonklaz one of a kind ✨

@@user-tx2yg1mr4v bro thank you so much man ♥️🎶

The sound is 💯 but that third chord wrong

@@luigiarredondosax False, check it. Em6 :P

@@trentonklaz the voicing is not it tho brother man

@@luigiarredondosax Get back to behind the set little drummer boy :P

@@trentonklaz 😂😂🙏🏽

@@hilarynoble7955 gratsi tigere

@@snowzys7031 that’s the only way, son

@@evanpragliola4947 thanks brother!!

@@bopshopbrass thank you Steven!

@@jesusgallimore Jesus thank you so much brother

Thank you so much!

Thank you mi hermano!!

Thanks bro!!

Thank you so much!

really appreciate you man

Thank you bro!!

Man I really appreciate you brother! Check out my video on eternal triangle (Sonny Stitt solo) and share with your friends

Thanks so much

Gracias hermano

Thank you so much man

Thanks so much dude!

Thank you so much Nate!

Marci

Mathew Steven’s! Thanks bro for the comment and like

Thanks Jorge!

Thank you so much Victor! I appreciate the kind words

Prof! Thank you so much

Thank you so much, brother!

Merci!

Thanks man! It’s one of my favorites. I’m working on Sonny Stitt eternal triangle now. Stay tuned for that one

Marci!

Thank you so much

As is the solo

Thank you so much! This is a naked lady 6m 1935 stripped lacquer

Thank you so much

I can write it out and post it to my website when I get that out. Thanks for listening Jeff

It’s a great one

The hard part is application. Not too sure how to do that

@@luigiarredondosax what i hear from most pros is that, you don't "worry" about how to apply this, we transcribe solos to get the FEELING of the phrases, ryhtm, harmonies, and you just trust that process, that through listening and transcribing, it will come out on its own at some point :)

@@sat.chid.ananda hey man I appreciate your input. I would say you should definitely actively try to apply and incorporate your language in a setting where you’re on “autopilot” because if not you can shed a bunch of stuff but it’ll never come out in your playing in real time

Thanks brother!