- Видео 7
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Maker School
Франция
Добавлен 28 июл 2020
Maker school is a community led by a group of young french filmmakers.
Here you can learn about Filmmaking ! From the very basic stuff to new and exiting tech, we cover it all !
Here you can learn about Filmmaking ! From the very basic stuff to new and exiting tech, we cover it all !
The Depth of Field - Everything you need to know
use code "PRO70" and this link ► audiio.com/partner?oid=1&affid=569 and get Audiio Pro at 70% off !
Almost all our music and sounds come from Audiio, and using this link will support us and is a great way to help the channel :)
If you want to learn more please consider subscribing :
ruclips.net/channel/UC0-C4fWY84FgKo9ycouBetQ?view_as=subscriber?sub_confirmation=1
In this cinematography tutorial we learn all about controling the Depth of Field to shape the look and feel of your image.
We explain how you can control it with your camera and how you can use more shallow or more deep Depth of field depanding on the shot you are trying to create, resulting in a much more cinematic scene.
We are tr...
Almost all our music and sounds come from Audiio, and using this link will support us and is a great way to help the channel :)
If you want to learn more please consider subscribing :
ruclips.net/channel/UC0-C4fWY84FgKo9ycouBetQ?view_as=subscriber?sub_confirmation=1
In this cinematography tutorial we learn all about controling the Depth of Field to shape the look and feel of your image.
We explain how you can control it with your camera and how you can use more shallow or more deep Depth of field depanding on the shot you are trying to create, resulting in a much more cinematic scene.
We are tr...
Просмотров: 2 805
Видео
Color temperature & White balance: everything you need to know
Просмотров 48 тыс.4 года назад
use code "PRO70" and this link ► audiio.com/partner?oid=1&affid=569 and get Audiio Pro at 70% off ! Almost all our music and sounds come from Audiio, and using this link will support us and is a great way to help the channel :) In this cinematography tutorial we learn all about controling White balance and Color temperature to shape the look and feel of your image. Probably the most useful sett...
The Most Important thing to make your Virtual Set believable - Virtual Production part 3
Просмотров 16 тыс.4 года назад
use code "PRO70" and this link ► audiio.com/partner?oid=1&affid=569 and get Audiio Pro at 70% off ! Almost all our music and sounds come from Audiio, and using this link will support us and is a great way to help the channel :) In this video we talk about how lighting on set, art assets and stuff like wind or smoke can come a long way to make your scene on unreal engine and your led wall more b...
The Exposure Triangle : how to control your image
Просмотров 3 тыс.4 года назад
use code "PRO70" and this link ► audiio.com/partner?oid=1&affid=569 and get Audiio Pro at 70% off ! Almost all our music and sounds come from Audiio, and using this link will support us and is a great way to help the channel :) In this cinematography tutorial we learn all about controling exposure from the camera and the side effects of each setting : Aperture, Shutter Speed, and ISO (or Gain)....
How to achieve Parallax with Unreal and LED wall - Virtual Production part 2
Просмотров 13 тыс.4 года назад
use code "PRO70" and this link ► audiio.com/partner?oid=1&affid=569 and get Audiio Pro at 70% off ! Almost all our music and sounds come from Audiio, and using this link will support us and is a great way to help the channel :) This is our second video on Virtual Production with our partners at Plateau Virtuel in Paris, France. In this episode we explore how unreal is used in virtual sets and w...
The Inverse Square Law: Make your Lighting look more Natural
Просмотров 16 тыс.4 года назад
use code "PRO70" and this link ► audiio.com/partner?oid=1&affid=569 and get Audiio Pro at 70% off ! Almost all our music and sounds come from Audiio, and using this link will support us and is a great way to help the channel :) In this tutorial we explain how the Inverse square law applies to light and how it's understanding will improve the way you light films, making you a better cinematograp...
How Virtual Sets are Changing the Way we Make Films - virtual production part 1
Просмотров 18 тыс.4 года назад
use code "PRO70" and this link ► audiio.com/partner?oid=1&affid=569 and get Audiio Pro at 70% off ! Almost all our music and sounds come from Audiio, and using this link will support us and is a great way to help the channel :) Our very first Video, covering the basics of LED wall technology and LED volume using Unreal Engine 4. New video on cinematography and filmmaking coming next wednesday, ...
This was great and explained in a different way I haven’t heard before and you made it so easy to understand!!! 🙏
OMG THIS DESERVE A LOT OF VIEWS LMAOOO
The examples in the videos look fake. It does not look like real life. The lighting and background look like screenlight. Maybe its the lack of atmospheric effects that filming a 2D screen does not have. Also in real life you see slight movement in grass, leaves, tress, clouds and all of their shadows. Furthermore the brightness of everthing outside gradually changes when a small or large cloud blocks the sun. We see with 2 eyes and I don't think a screen can project 2 pictures at once. 😅 Still looks fake like "realistic" Ai pictures.
One of the best videos I've seen about the subject, congratulations, your content are incredible !!!
Are you shot it with warm lighting or you color graded it into warm color?
we shot with warm light and made it even warmer in post
👏
Love the video! Keep up the great work! This is awesome. Willem
Franchement le je jeu d'acteur mérite un oscar
Very fun and educational video!
Aye é ma daa fò ❤
Thanks for explaining that as the Kelvin temperature goes higher, the light becomes cooler.
Can you tell me about the rolling stands you have? Need to build out our moveable LED screens.
So well explained and demonstrated, thank you!
Thank you for taking the time to watch :)
i love unreal enjine
Amazing Video!
Thanks !
Your content is blessings but it's really difficult to understand 😭
Do you mean because of our accent and prononciation ? Sorry, we're french 😅 but I have good hopes that our English will improve over time
@@MakerSchoolTV no no i really appreciate your efforts and I love your accents and i dont have issues with your accents! It's just understanding the lighting concept is little difficult for me 😅😅
Oh ! Yeah the inverse square law is difficult to grasp, but once you get it it's quite useful. And it's one of the more difficult topic when it comes to lighting. Most of the other things that are useful to learn are easier to understand :)
Great video!
Thanks!
why this video not get million views !!?
Haha we don't post enough for that 😅 but maybe one day
Full setup cost?
I'm not sure but I think it's in the millions
Question: if you are shooting a scene in a room with lots of natural light from windows, would you be able to shoot it across multiple days? And different times of the day? How would you make the color temperature of your shots consistent for the scene, when the color temperature of the natural light will vary?
It can be a very difficult endeavor. To begin with you should check forecast to see if the weather is consistent. It you have some sunny days and some cloudy days for the same scene, thoses shots are gonna be very hard to match. Even if you watch the color with the white balance, the cloudy day is still gonna produce a softer and dimmer light. As for the time of days it depends. For a cloudy day the light is going to be drastically reduced in intensity early in the morning and towards the end of the afternoon. But for a sunny day it can be a lot more challenging as the direct light from the sun might move around in the room. If the windows are northbound it's gonna be easier, because the sun travel from east to west with a slight incline to the south (and a heavy south incline during winter). Which means you most likely won't have a lot of direct sunlight coming through the windows and the light is going to be somewhat consistent during the day. If the windows are southbound then the sunlight will most likely enter the room and move from one side of the room to the other during the day. If you still want to match the color temperature of different shots with different natural lights despite thoses problems it's actually the easiest part. A cloudy day is gonna be colder and a sunny day is going to get hotter and hotter from noon to sunset. So if you want the color of the scene to look like it's all the same day/time of day, you need to change your white balance everytime the color temperature of the natural light changes, to maintain a consistent color in the camera, and compensate for the light changing color in the real world. The easiest way to do it accurately would be to use a meter to measure the color temperature of the daylight frequently, but thoses can get quite expensive (ours is 800$+, it's from Sekonic I believe) But don't worry, you can still do it without a tool like that, juste by filming a white object for reference like a piece of paper on each new shot, and doing it by eye, comparing the tint of the piece of paper on your camera to the tint it had on your previous shots. It's not gonna be perfect but it's gonna be close enough that you should be able to clean things up in post with minimal efforts 👌 I'm not sure I answered accurately to your question so don't hesitate to ask more :)
@@MakerSchoolTV thank you so much for your awesome and speedy reply! This video is the most entertaining and most beautifully shot tutorial I've ever seen, you have inspired me in so many ways. Plus you helped me with my specific question! You're amazing. Thank you so much!
Very well explained and well done video. 👏 Now i understand why many movie scenes look extreme unrealistic.
Thanks !
just discovered your channel! tnx for sharing your knowledge!
You're welcome :) thanks for watching !
this is the best tutorial video ive ever seen. Subscribed!
Thanks ! Good news, we just started to work on new videos too ;)
Should I match my camera white balance with my 5600k video light indoors if I want a normal look to the video?
If you want the light to appear as white yeah, but changing it a little bit to a warmer or cooler look would still look natural, if you aren't too heavy handed of course. If you are looking for a perfect neutral white be careful : most led or HMI lights that advertise 5600k are not quite exactly at 5600. If you don't have a tool to measure the color temperature of your light you can always try to twick it around 5600k and try to find the perfect white on your camera. It would be small increments though, definitely not under 5000k and not above 6000k for sure. Hope this answer helped !
Wait…this doesn’t makes sense. It’s the other way around as far color temp. The lower the Kelvins, the cooler it is and vice versa. Not trying sound like a dick but on my camera AND Lightroom…high kelvins, warm temp…low kelvins, cool temp. Please help me overstand
As we mentioned in the video the idea can get quite confusing for most people. The white balance isn't warm or cold, it's a setting in your camera. What gives the image cold or warm tone is the color temperature of your light source relatively to your white balance settings. If your white balance setting is below the color temperature of the light source, the image will have colder tones. If the white balance setting is above the color temperature of the light source the image will have a warm tone. So for exemple let's take daylight, it's around 5600 Kelvin. So if your white balance setting is at 3200, daylight will look cold on your camera. But if your setting is 9000kelvin daylight will look warm in your camera. That is also the case for the white balance setting in professional video grading softwares, like Da Vinci Resolve. If you think about it, it is the same in nature for incandescence. So yes, for a GIVEN COLOR TEMPERATURE, a lower setting of white balance will make it appear colder, and a higher white balance setting make it appear warmer. But for a GIVEN WHITE BALANCE, a light source with a lower temperature (like a candle) will appear warmer, and a light source with a higher color temperature (like a cloudy winter sky) will appear colder. Which is what we are saying in the video :) I think you are confusing white balance and color temperature in some parts of the video
Very cool and interesting content ! And a lot of efforts put to illustrate it, congrats ! My doubt is : I know I want my final video to be warm so what is the best practice ? Should I shoot everything the more neutral way possible (my light sources are windows, so I would set my WB to 5600K) and then warm it all in post ? Or should I set my WB to 6000 or a bit more to get a warm tone directly when recording ?
I would say it depends on the codec you are using. A raw format, or a 444 sub sampling, allow for a lot of flexibility with colors in post, but a more restrictive codec might be hard to manipulate. In that case I would record the footage warm by changing the white balance, because touching it in post might result in subpar quality
@@MakerSchoolTV Hey! Great, thank you for your quick and kind answer!
Exposure is time and aperture made to make light matching with iso, equation with four parameters if I know how to count with one hand 🖐️
👏👏👏👏👏👏👏👏👏👏👏👏👏👏👏
Don't know why most people keep the white balance normal, the blue taint adds an interesting element to the video.
Yeah, it's such a powerful creative tool, and you can get a lot of different styles out of it depending on your projects or you scenes
very fun and well crafted video
Thanks!
Thank you very much for the efforts and this helpful content. Is it then right to film e.g. an entire outdoor film from sunrise through the day to sunset with a fixed number for kelvin/white balance?
Yeah it could be an artistic decision. The result might be a bit more saturated that your eye sees in the sunrise/golden hour/Blue hour, because the eye can adapt a little bit to color temperature shift, but the camera doesn't unless you change the white balance. But that could be a cool and moody look. In the end it is a choice on wether you want a more neutral look for each step of the day, or if you want a more colorful look, and if so how much colorful do you want the film to be.
@@MakerSchoolTV thank you very much for the answer. I remember having heard a RUclipsr saying that he is keeping a fixed white balance to capture the light as authentic as possible for the spectator. Maybe he chose a compromise between full sunlight and sunrise/sunset scenery. I will try and imho I think I have to adjust WB a tiny bit in case I want to keep the footage accordingly to how I see it, as you also mentioned. Thx a lot 🙏🏼
OMG, you guys are great at this, but it seems that you stopped making content :(, perhaps if I subscribe it will give you some feelings to keep going.
We are actually getting back into making videos around June/July 😁 we just had a lot of projects this year so we didn't have much time for the channel
@@MakerSchoolTV looking forward to it. 👍🏻
I enjoyed this video, you guys are funny and creative.
Thanks !
This was a very well made video. Thank you for putting so much detail into it
Our pleasure 😁
One of the best and complete white balance explanation video on YT!!!bravo!!!
Thank you ☺️
lol very nice for a quaint little multi-million dollar studio 😂
I love that you actually shot little scenes to demonstrate these concepts, I found it incredibly helpful. You guys did a really good job on this. Thank you so much!
Thanks !
3:20 Amazing video for the information - also for the random actions!
Thanks !
Very useful, thank you!
Great info and I adore your accent. My question is how to correctly choose the white balance regarding tungsten, sunlight, shade, etc ? I have a cannon DSLR which I use in a white photo booth. My lighting is a fixed temperature which means more toward the warm side but it has a flash also.
You choose the white balance depending on what light source you have and what result you want to achieve. Let's take a tungsten light for exemple. It's at 3200 Kelvin, so if you want the light to be white-ish you would put your white balance at 3200k also. But if you want a bit of a warmer look you would choose something like 4000-4400. And for a colder look you could go with 2500-2900k. Same applies with sunlight Wich sits around 5600k on a sunny day. If your lighting is fixed at 3200k and you want to use it at the same time as sunlight, you either need to embrace the difference or color temperature as a look, or correct your lights with full CTB gels. They are not to expensive and I'm sure you can find some seller online, the two biggest brand that makes them are Rosco and Lee filters. I hope this answer helped, but if I wasn't clear or if you have more questions don't hesitate to ask again !
Found it useful. Its precise
Thanks ! Glad it was useful
😍😍😍😍
so cheap at 250k minimum 😂
you guys are awesome. Really, the way you explain things is entertaining , clear and engaging. Pls, meke more videos.
Thanks ! We start shooting again this summer, and we will try to be a lot more regular after that
you guys are soo good at explaining and showing. Please, make more videos.
We will !
This is soo well done. I wish you guys came back and make more videos.
We start shooting again in the summer ! Sorry for the big breaks, we all had big projects this year
Great info, thank you!
You just not give us information, you also entertained us. Soon you will reach millions.
Haha I hope so ! Thanks for the kind words
Thank you Nathan!
👍