There has never been a performance that can rival this arrangement. The depth, the pressure on each key. It is in my opinion a perfect performance. An Asian pianist would just try to play as quickly as possible, a shallow somewhat rushed performance, choosing speed over feeling and understanding, it sounds cheap and tacky as if a robot was programmed to perform this piece. This is the greatest performance of Turkish March you'll ever hear.
Fun fact: Volodos could barely take the tenths in the beginning of Rach 2, Cziffra had to roll the tenths in Schumann's toccata and Liszt's Hungarian Rhapsody 6, Argerich could only take ninths, and Lazar Berman had to roll the tenths in Chopin's polonaises. But Horowitz could take an eleventh, and Earl Wild and Richter twelfths...
As far as i Know, i read that Horowitz said he could take tenths, but it wasn't really that confortable cziffra did had good hands and could take tenths too, but not all tenths, for example not a major tenth with a black and a white key, also fast tenths are too un confortable to do without rolling unless you got Big hands like Pogorelich (theres a video with 2 passages with fast tenths of him) Richter or Hamelin And that fun fact is the original post from a thread from on a piano forum, the thread it's from 2009
As a pianist for 65 yrs I thought I knew DYNAMICS & DEXTERITY…..but nothing til I heard this love-inducing, delightfully witty piece played/delivered/executed IMPECCABLY showcasing the strength needed in the fingers for tripping over the keys at such a breakneck speed. The internal fortitude, the power and experience needed to interpret this piece almost like a bull being a butterfly. Played as Moszkowski would have. I simply cannot get over Horowitz. You can hear giggling and laughter through his fingers, the piece is so light p-hearted, which is his essence!! Thank you for provoking comments. I raise my hand and keep it up!!
It possibly stands for Eusebius (the shy and introspective alter-ego of Schumann) while the first section stands for Florestan (Schumann's impulsive and energetic alter-ego).
Технично и очень громко. Всё. Музыки тут нет.
So beautiful, breathtaking.
lindisima PERO DIFICIL CON PING🥵👍
Horowitz ends this etude with the same 4 chords that end the 3rd Ballade by Chopin: C7 - f minor - Eb7 - Ab. Fits perfect.
Fabulous!
Me parece una locura de velocidad. Es otro estudio diferente al que yo concibo.
Rachmaninoff uses this motif in his Prelude op 23 no 8.
Հրաշալի կատարում, հիացած եմ։ Շնորհակալություն։❤❤❤
There has never been a performance that can rival this arrangement. The depth, the pressure on each key. It is in my opinion a perfect performance. An Asian pianist would just try to play as quickly as possible, a shallow somewhat rushed performance, choosing speed over feeling and understanding, it sounds cheap and tacky as if a robot was programmed to perform this piece. This is the greatest performance of Turkish March you'll ever hear.
Wow! ❤❤❤
Sounds like one of Chopin's Etudes
Incredibile performance. A mio avviso sono davvero pochissimi i pianisti che hanno profondamente capito Schumann, e Richter è al primo posto.
Like this comment if this video was one of the first virtuoso piano videos you ever watched
He does not play the chromatic scale completely at 0:36
🤩 wow!
Ydohxkhx
Horowitz spielt mit einer unglaublich lässigen, brillanten Eleganz! Fantastisch!
Nelson Freire
When was this recorded ?
Fantastic technique. I still prefer the Horwitz version but fabulous performance nonetheless.
The end he does is so much better. For the character of this piece.
Wow!!!!!!
This has got to be one of the best versions out there. Why a video almost as old as RUclips itself has so few views is beyond comprehension.
Been watching this video on RUclips for 17 years.
after 15 yrs since upload this video i am the first comment babies
At long last
0:06 start
Very helpful :)
imagine not being able to wait 6 seconds for a 1 minute and a half video.
As played by Horowitz. Perfection. In good taste.😊
Это Етюд концертный етюд?
Nah
0:08 I liked all the comments lol
Classic me
Look at the poor piano trembling under all that force!
Fun fact: Volodos could barely take the tenths in the beginning of Rach 2, Cziffra had to roll the tenths in Schumann's toccata and Liszt's Hungarian Rhapsody 6, Argerich could only take ninths, and Lazar Berman had to roll the tenths in Chopin's polonaises. But Horowitz could take an eleventh, and Earl Wild and Richter twelfths...
As far as i Know, i read that Horowitz said he could take tenths, but it wasn't really that confortable cziffra did had good hands and could take tenths too, but not all tenths, for example not a major tenth with a black and a white key, also fast tenths are too un confortable to do without rolling unless you got Big hands like Pogorelich (theres a video with 2 passages with fast tenths of him) Richter or Hamelin And that fun fact is the original post from a thread from on a piano forum, the thread it's from 2009
Why do horowitz do the final piano and not forte
Because he can and it sounds cute.
Raise your hand if u think this is perfect playing
Me ✋🏻
🤚🏻
🤚
As a pianist for 65 yrs I thought I knew DYNAMICS & DEXTERITY…..but nothing til I heard this love-inducing, delightfully witty piece played/delivered/executed IMPECCABLY showcasing the strength needed in the fingers for tripping over the keys at such a breakneck speed. The internal fortitude, the power and experience needed to interpret this piece almost like a bull being a butterfly. Played as Moszkowski would have. I simply cannot get over Horowitz. You can hear giggling and laughter through his fingers, the piece is so light p-hearted, which is his essence!! Thank you for provoking comments. I raise my hand and keep it up!!
✋️
last chords?
Wdym
00:06
Wer ist das? Màn
This is the epitome of a tensionless technique
This is real "la perle" playing
WOW
The best ever
The middle section is so unspeakably beautiful. Pure poetry.
It possibly stands for Eusebius (the shy and introspective alter-ego of Schumann) while the first section stands for Florestan (Schumann's impulsive and energetic alter-ego).
@@CatkhosruShapurrjiFurabji Yes, very likely it does.
Странно что ни одного коментария на русском)) .. Горовиц привосходен как всегда. Великолепная музыка!
здравствуй))
@@Xyriakhi
Gosh I’m learning this piece 🫡 someone have any tips :D
Practice
la plus belle version que j'ai entendue ...
Very true
Best performance of this etude
Ye
I prefer Horacio’s performance more
Класс!🤩
This would be right up Horowitz’ street.
george Cziffra and Horowitz plus mix up DNA piano !!!!!!!!!!! Amazing !
0:07
I was ONE SECOND LATE 😡
1:20