- Видео 23
- Просмотров 60 518
Vania Dal Maso
Италия
Добавлен 2 фев 2012
La cara cossa from INTABOLATVRA DE LAVTO di Dominico Bianchini ditto Rossetto
La cara cossa, from INTABOLATVRA DE LAVTO di Dominico Bianchini ditto Rossetto di Recercari Motetti Madrigali Canzon Francese Napolitane et balli novamente stampati LIBRO PRIMO in Venetia Apresso di Antonio Gardane M. D. XXXXVI, fol. C1v, I-Vnm Musica 1399, by concession of the Ministry of Culture - Biblioteca Nazionale Marciana. Reproduction prohibited.
Transcription and adaptation for keyboard instrument by Vania Dal Maso
Venetian Renaissance spinet
Copy by Paolo Zerbinatti (2013) after the original built in Venice by Benedetto Floriani in 1571 and preserved in the Musikinstrumentenmuseum der Universität Leipzig. By courtesy of the maker Paolo Zerbinatti
Transcription and adaptation for keyboard instrument by Vania Dal Maso
Venetian Renaissance spinet
Copy by Paolo Zerbinatti (2013) after the original built in Venice by Benedetto Floriani in 1571 and preserved in the Musikinstrumentenmuseum der Universität Leipzig. By courtesy of the maker Paolo Zerbinatti
Просмотров: 323
Видео
Gagliarda La chara cossa from INTABOLATVRA di Ivlio Abondante sopra el lauto
Просмотров 1962 месяца назад
Gagliarda La chara cossa from INTABOLATVRA di Ivlio Abondante SOPRA EL LAVTO de ogni sorte de balli novamente stampati et posti in lvce LIBRO PRIMO in Venetia Apresso di Antonio Gardane M. D. XXXXVI, fol. C1v Wien, Musiksammlung der Österreichischen Nationalbibliothek, SA.76.F.11/1 transcription and adaptation for keyboard instrument by Vania Dal Maso
Cathacchio Gagliarda from Intabolatura nova di varie sorte de balli , Antonio Gardane, Venezia 1551
Просмотров 3793 месяца назад
Cathacchio Gagliarda from INTABOLATVRA NOVA DI VARIE SORTE DE BALLI DA Sonare Per arpicordi, Clauiciembali, Spinette, & Manachordi, Raccolti Da diuersi Eccellentissimi Autori, Nouamente data in Luce, & per Antonio Gardane Con ogni diligentia stampata. LIBRO PRIMO In Venetia Apresso di Antonio Gardane. 1551, fol. 4v Museo internazionale e Biblioteca della Musica di Bologna R.178 www.museibologna...
Pass’e mezo antico primo, secondo, terzo from Intabolatura nova di varie sorte de balli Venezia 1551
Просмотров 2263 месяца назад
Pass’e mezo antico primo, secondo, terzo from INTABOLATVRA NOVA DI VARIE SORTE DE BALLI DA Sonare Per arpicordi, Clauiciembali, Spinette, & Manachordi, Raccolti Da diuersi Eccellentissimi Autori, Nouamente data in Luce, & per Antonio Gardane Con ogni diligentia stampata. LIBRO PRIMO In Venetia Apresso di Antonio Gardane. 1551, fols. 12v-14v Museo internazionale e Biblioteca della Musica di Bolo...
Pass’e mezo nuouo primo, secondo, terzo fom Intabolatura nova di varie sorte di balli, Venezia 1551
Просмотров 1353 месяца назад
Pass’e mezo nuouo primo, secondo, terzo from INTABOLATVRA NOVA DI VARIE SORTE DE BALLI DA Sonare Per arpicordi, Clauiciembali, Spinette, & Manachordi, Raccolti Da diuersi Eccellentissimi Autori, Nouamente data in Luce, & per Antonio Gardane Con ogni diligentia stampata. LIBRO PRIMO In Venetia Apresso di Antonio Gardane. 1551, fols. 1v-3v Museo internazionale e Biblioteca della Musica di Bologna...
Gamba Gagliarda from Intabolatura nova di varie sorte de balli, Antonio Gardane, Venezia 1551
Просмотров 2553 месяца назад
Gamba Gagliarda from INTABOLATVRA NOVA DI VARIE SORTE DE BALLI DA Sonare Per arpicordi, Clauiciembali, Spinette, & Manachordi, Raccolti Da diuersi Eccellentissimi Autori, Nouamente data in Luce, & per Antonio Gardane Con ogni diligentia stampata. LIBRO PRIMO In Venetia Apresso di Antonio Gardane. 1551, fol. 6v Museo internazionale e Biblioteca della Musica di Bologna R.178 www.museibologna.it/m...
La cara cossa, from the music manuscript It. IV, 1227 Venezia, Biblioteca Nazionale Marciana
Просмотров 7203 месяца назад
La cara cossa, from the music manuscript It. IV, 1227 (=11699), fol. 7r-7v I-Vnm by concession of the Ministry of Culture - Biblioteca Nazionale Marciana. Reproduction prohibited. Venetian Renaissance spinet. Copy by Paolo Zerbinatti (2013) after the original built in Venice by Benedetto Floriani in 1571 and preserved in the Musikinstrumentenmuseum der Universität Leipzig. By courtesy of the ma...
Concerto Illustrato. Keyboard music from the 14th and 15th centuries.
Просмотров 4,6 тыс.2 года назад
Summary of the ‘Concerto illustrato’ held on 28/11/2021 in Udine at the Oratorio della Purità as part of the XIII Festival Organistico Internazionale Friulano "G. B. Candotti" 2021-2022 Note d'organo in città - Natale 2021 - I edizione (con sottotitoli in inglese) Music for stringed keyboard instruments from the 14th and 15th centuries. Vania Dal Maso clavichord, clavicytherium and hammered cla...
Concerto illustrato. Musiche per tastiera fra '300 e '400.
Просмотров 7792 года назад
Sintesi del Concerto illustrato tenuto il 28/11/2021 a Udine presso l'Oratorio della Purità nell'ambito del XII Festival Organistico Internazionale Friulano G. B. Candotti Musiche per tastiera fra '300 e '400 Vania Dal Maso clavicordo, claviciterio e clavisimbalum a martelli con l'intervento dell'organologo Paolo Zerbinatti Il programma di questo concerto, integrato dall’intervento dell’organol...
Josquin Desprez, Adieu mes amours from St. Gall, Stiftsbibliothek, MS 530 Fridolin Sicher Tablature
Просмотров 36 тыс.3 года назад
“Adieu mes amours”, chanson by Josquin Desprez, from Fridolin Sicher's keyboard intabulation. * A recording from my lecture-recital "On Performing Josquin’s Chansons on the Clavicytherium" at the virtual conference "universum rei harmonicae concentum absolvunt - The Harpsichord in the 16th century" Institut für Alte Musik der mdw - Universität für Musik und darstellende Kunst Wien. 21st April 2...
Girolamo Cavazzoni, “Canzon sopra Falt d’argens”
Просмотров 2,5 тыс.3 года назад
“Canzon sopra Falt d’argens” da Intavolatvra, cioè Recercari Canzoni, Himni magnificati (sic) composti per Hieronimo de Marcantonio da Bologna, Venezia 1542, libera parafrasi della chanson "Faulte d'argent" di Josquin Desprez, eseguita al claviciterio.
Marco Antonio Cavazzoni, Plus ne regres, da Recerchari Motetti Canzoni Libro primo, Venezia 1523
Просмотров 1,6 тыс.3 года назад
" Plus ne regres", parodia di Marco Antonio Cavazzoni della chanson "Plusieurs regretz" di Josquin Desprez, eseguita al claviciterio.
Josquin Desprez, "Fortuna d’un gran tempo", from Leonhard Kleber Tablature
Просмотров 6493 года назад
“Fortuna d’un gran tempo”, chanson di Josquin Desprez, intavolata per strumento da tasto da Leonhard Kleber ed eseguita al claviciterio.
Josquin Desprez "Bergerette Savoyenne" St. Gall, Stiftsbibliothek, MS 530 Fridolin Sicher Tablature
Просмотров 1,9 тыс.3 года назад
“Bergerette Savoyenne”, chanson by Josquin Desprez, from Fridolin Sicher's keyboard intabulation. * A recording from my lecture-recital "On Performing Josquin’s Chansons on the Clavicytherium" at the virtual conference "universum rei harmonicae concentum absolvunt - The Harpsichord in the 16th century" Institut für Alte Musik der mdw - Universität für Musik und darstellende Kunst Wien 21st Apri...
Concerto per il cembalo. La Battaglia del Re di Prussia Del Sig.r Graun. Allegro
Просмотров 5543 года назад
Esecuzione del Concerto per il cembalo. La Battaglia del Re di Prussia Del Sig.r Graun. Allegro. Dal manoscritto It. IV, 258 (=9829) custodito presso la Biblioteca nazionale Marciana - Venezia Autore: Carl Heinrich Graun, (1703?-1759) Clavicembalo realizzato da Paolo Zerbinatti (UD) 1993, copia da Giovanni Battista Giusti, Lucca 1681 (Germanisches Nationalmuseum Nuremberg).
Non na el so amante (J. da Bologna) da Codex Faenza, ca. 1400-1420
Просмотров 3,8 тыс.7 лет назад
Non na el so amante (J. da Bologna) da Codex Faenza, ca. 1400-1420
Michelangelo Rossi, Partite sopra la Romanesca da Toccate e correnti, ca. 1634
Просмотров 6627 лет назад
Michelangelo Rossi, Partite sopra la Romanesca da Toccate e correnti, ca. 1634
En avois da Lochamer Liederbuch, ca. 1450
Просмотров 2,6 тыс.8 лет назад
En avois da Lochamer Liederbuch, ca. 1450
C[on] l[agreme] (Johannes Ciconia) da Lochamer Liederbuch, ca. 1450
Просмотров 5918 лет назад
C[on] l[agreme] (Johannes Ciconia) da Lochamer Liederbuch, ca. 1450
Mi ut re ut (bassa danza Venise) da Buxheimer Orgelbuch, ca. 1460-70
Просмотров 4798 лет назад
Mi ut re ut (bassa danza Venise) da Buxheimer Orgelbuch, ca. 1460-70
Hermosa melodía. Y ese instrumento, uno de mis favoritos. Hasta me recuerda algunas canciones de The Doors.
That’s so delightful. Great job.
Che bello ❤
Amazing! I envy people who can play such instruments at such level… What a joy, what dream it must be!
The great fortune of being out of tune; always in a semi-tone ❤️ the fortune of fools may be said
So beautiful ❤ thank you
Awful 😂 needs tuning 😢
Wow, never heard of this instrument before.
More! More!!
Capelli d'un colore splendido. Anche tutto il resto.
Beautifully played
Thank you very much!
What a charming instrument. Josquin was one of the leading composers of his day, but I had not previously heard anything by him. The sound is very pleasing.
Thank you very much!
Hello, Vania. Thank you so much.
Thank you!
What an absolutely lovely instrument. I really like it. Beautifully played. Thanks.
Thank you very much
So lovely
Thank you so much
@@vaniadalmaso he must loved her really much
Extraordinaire, magnifique, merci.
Merci à vous!
Magical instrument and performance! 🎹🎶
Thankyou very much indeed!
Brava!
Grazie!
Congratulazioni Vivissime Vania, Meravigliosa, un vero Capolavoro👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻 Anna e Luigi👋🏻👋🏻🤗😘
Grazie di cuore, un saluto anche a Luigi!
Stupende esecuzioni come sempre.
Grazie mille!
Simply beautiful
Thank you very much!
Original y hermoso. Muchas gracias
Molte grazie da parte mia per l'apprezzamento!
🎼✨✨👏👏🌸
🙏❤
I have made four of these Italian pentagonal spinets based on the Queen Elizabeth Virginal in the V and A museum. To a greater or lesser degree the tapping technique is necessary especially in the bass where the vertical movement of the jacks is less, combined with the larger diameter of the strings. So in all a totally authentic performance. I don’t see how it could change the tone or the volume much. Historic instruments present problems that subsequent designs overcome. The tone of original antique Italian spinets is lovely despite their limitations.
Thank you for your very interesting comment!
Meravigliosa, Bravissima, Complimenti Vivissimi👍🏻👍🏻👌🏻👌🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻👏🏻🌹🌹🌹
Grazie di cuore!
Makes me happy. Some Valente is coming?
Thank you! I'm still not thinking about Valente, sorry
@@vaniadalmaso you are right, Valente is more music from Naples and not from Venice but it is also early dance music that makes me happy
che meraviglia...una perla!
Grazie mille!
I bet this instrument will give a better sound with a more suave touch.
Of course it will! But... Gamba Gagliarda is a ‘ballo’, and I play it according to Girolamo Diruta: jumping and tapping with the fingers. In “Il Transilvano Dialogo”, Girolamo Diruta points out the differences between pressing and tapping (the former suitable for the organ, the latter suitable for pluck instruments), between organists and 'ballroom players', between the way of playing 'musical things' on organs and the way of playing dances on the harpsichord, which requires 'jumping, & tapping with the fingers'.
❤
♥
Brava Vania e splendido lo strumento!
Grazie mille!
Bravissima Vania! ❤️
Grazie mille!
Det er veldig vakkert!
Grazie mille!
Such a beautiful rich sound, so evocative of the period.
Thank you very much!
It makes me so happy hearing this early in the morning. Thank you
And you make me happy by letting me know of your happiness! Thank you!
Beautifully achieved spinet.
I wish it was mine...
Wonderful!
Thankyou very much!
Really lovely! Thanks!
Thank you for the appreciation!
I bet this is what the medieval era sounded like
This is renaissance, but check out Guillame Mauchat and/or Francesco Landini for medieval music.
I bet less well in tune.
@@bifeldmanNot really, there are texts that survived until today that show that in the medieval era they gave a huge importance to singing/playing in tune
@@titorosado6198true but pitch was relative so there was no universal standard until the baroque era when A=415 started taking over.
@@KandiKlover Yes, of course. In my other comment I was talking about the relations between the played/sung notes in polyphonic music. Also, A=415 wasn't a standard in the baroque era, there were various pitch levels at that time (both higher and lower than A=440). This video ruclips.net/video/si6QNVn40GM/видео.htmlsi=TxhlwUtTXMi1kttY explains really well how we came to use A=415 for early music. For a deeper dive, the book A History of Performing Pitch is a comprehensive source about what we know about the pitch levels that were used throughout history
Thanks,for a few moments I can get happiness
Giving happiness gives meaning to my work, to my life. Thank you very much!
Beautiful music played with a wonderful instrument. Thanks for your video! 🎵🎼🎹🎶
Thank you for the appreciation
I love You
Que maravilla. Gracias, gracias
Thank you so much!
What is the strange shorthand in the written music please?
“Adieu mes amours” is a 4 voices chanson, here ‘entabulated’, i.e. put in a polyphonic score for a keyboard instrument. Each polyphonic voice has its separate row. The cantus is written in mensural notation in the upper staff, the other voices (altus, tenor, bassus) are written by letters (indicating the pitches) and other symbols for the duration.
Thank you for showing the notation! It looks like ancient Chinese
No it doesn’t
Gorgeous instrument, heavenly playing!
Thankyou very much!
Изумительно!
Grazie!
Love these instruments, have had fun building them too!
Very, very, very well done!!!!
Thank you very much!!!
Superb!!!
Thank you very much!!!
Wat een prachtige klank in dat instrument en wat een mooie muziek.
Thank you very much!